A Quote by Jason Clarke
Your voice is important - it gives away everything about you. The mouth is a muscle you have to work like you'd work at the gym.
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Essentially, your voice is an instrument; its a muscle, and you have to treat it like a muscle, and so you have to work it.
Essentially, your voice is an instrument; it's a muscle, and you have to treat it like a muscle, and so you have to work it.
One of the things that I'm realizing is that in voice-over work, you have to actually do more work with your facial muscles and your mouth. You have to kind of exaggerate your pronunciation a little bit more, whereas with live action, you can get away with mumbling sometimes.
I work legs, upper body, everything. Legs are very important. I do hang cleans and squats - I do primary exercises. Squats work over 60 percent of your muscle mass in your body. The hang cleans work on my explosive movement, which is essential for success.
I think backstory is really important to know because I'm all about prep work. I like to do all of my work right away, as soon as I get it. I'm incapable of procrastinating on anything, so I like to do all of the work.
I like being on a set where you can make decisions and everything is involved and are happy to work together to make the best work. For me, it's all about making the best work and creative people working together and all being respected and all having their opinions of what gives it the best quality is important.
I'm trying everything. But voice work is the best thing you ever imagined. It's not about how you look, and you can go to work in your PJs.
If you've ever sang in falsetto, you know that your throat is between your voice and your mouth. In a standard voice, you sing from your belly. And when you sing in a falsetto, you're blocking that. It gives it a filter. It gives it a character. It's less revealing.
You just have to put in the work. Work really hard, get a good coach and a good gym. You have to have the right mindset to be a champion. Don't make excuses on going to the gym like your ankle is sore or what.
Ah, sinner, may the Lord quicken thee! But it is a work that makes the Saviour weep. I think when He comes to call some of you from your death in sin, He comes weeping and sighing for you. There is a stone that is to be rolled away--your bad and evil habits--and when that stone is taken away, a still small voice will not do for you; it must be the loud crashing voice, like the voice of the Lord which breaketh the cedars of Lebanon.
Soaps are really like boot camp for acting. You learn about the industry, you learn about being on stage, and you learn about showing up on time. The sheer volume of work, on a daily basis, blows your mind and forces you to really work that muscle of memorization and just being able to change things on your feet.
If you take away the last few years, from my last year in Washington, and you think about my career, there was nothing but hard work. I was in the gym three or four times a day, working on my skills. If we lost a game, and I thought I played bad, I'm staying in the gym to keep shooting. That's what I did. That's what I was known for: I was a gym rat.
There's not as much oxygen in that hot gym and I think it's great for conditioning. I believe in a lot of boxing. You can train and work on the speed bag and heavy bag, but when you get in the ring with another fighter, it's a different story. Punches are coming at you, there's physical contact, muscle against muscle.
The work is the work. The work is not me. I like the anonymity that directors can have about their films. Even though it's my voice, I'm a storyteller.
Listening is everything. Listening is the whole deal. That's what I think. And I mean that in terms of before you work, after you work, in between work, with your children, with your husband, with your friends, with your mother, with your father. It's everything. And it's where you learn everything.
All the things you can talk about in anyone's work are the things that are least important.... You can describe all the externals of a performance - everything, in fact, but what really constitutes its core. Explaining something makes it go away, so to speak; what's important is what's left over after you've explained everything else.
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