A Quote by Jason Clarke
'Zero Dark Thirty' raised the stakes. It raised the stakes in cinema, man. I don't think people really know how to grasp what type of film this is.
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In an archery contest, when the stakes are earthenware tiles a contestant shoots with skill. When the stakes are belt buckles he becomes hesitant, and if the stakes are pure gold he becomes nervous and confused. There is no difference as to his skil.
I believe L.A. made me, really raised me. I think about that all the time. If I was raised in New York, how would I be? Would my game be different? You know, I think about that a lot, if I was raised somewhere else.
High stakes, low stakes, poor or rich - people will find a way to gamble.
One of the great things about playing a fallible superhero, one who doesn't necessarily have superpowers, is that the stakes are raised by the prospect of them perishing.
The trick to making a story matter is that every now and then, somebody you care about has to go. If it's somebody that you don't care about, then it doesn't really have - the stakes aren't there. But if you do that every now and then, then the story matters to people. And there are actual stakes involved, emotional stakes.
I remember when I first met Katherine Bigelow for 'Zero Dark Thirty' - actually, we met for another movie, and that never got made, and then she called me and invited me to 'Zero Dark Thirty'.
I've been doing sci-fi for two years, and there is always something big going on. The stakes are always huge. You're fighting for your life, or you're dealing with personal stuff. It has really high stakes attached to it, and there are green screen and explosions. You're going out on these really cool locations.
I've read in a couple stories that I was raised Episcopalian, but that's not true. I think that's just people assuming things. In some ways, I wish I was raised Episcopalian. I was kind of raised hodgepodge.
Kids not only understand [a dark story] but appreciate it … Because in the real world there's fear, and dark things happen no matter how young you are. People lose parents, people lose friends … There's darkness in the world. So I think when kids are talked to in that way, they appreciate it. They're not being given some candy-coated, 'Oh, this is a world where there are no stakes.' I think that actually insults their intelligence.
Those are the stakes that are constantly there and how do those stakes change you? How does that change the person you are? If it does just turn out to be about survival then is that living? How does that make you, you? How does that change your identity? That picture of the governor, his wife, and his daughter, he wasn't that guy before this all started. People dying around him changed him into that.
I just wasn't raised a granola eating, peace love hippie type person. I'm from Michigan and was raised in and around Detroit where it is kind of you get respect and you give respect. That is how I feel.
Every fight means everything. I have to stay focused no matter how high the stakes are or how low the stakes are, you have to stay focused and follow the game plan. At the end of the day it is going to be you and that guy in the ring and it's who wins the game will win the fight. That's what I learned.
I've said that movies are the highest stakes make-believe game in the world, and this is truly the most highest stakes.
My lighting tends to use contrast as a reflection of the stakes in the scene. The higher the stakes, the more I feel I can get away with an exaggerated contrast.
I was raised by my mom. She taught me how to be a gentleman; nobody in the movies taught me. I think people are raised by their parents. If you're raised by movies, it's a whole other set of problems. I don't think it's as simple as me saying movies are meant to entertain, but I certainly don't feel moral responsibility in putting this out in the world and being like, "OK, this is going to affect how guys make decisions because they see some of my films or whatever." I just don't.
As far as I'm concerned, the stakes are always very high. Whether it's playing at the White House or playing for a group in my own house - you know, one of those soirees I play in. Once I start playing, the stakes are somehow higher, in a way, than any of the context.
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