A Quote by Jason Fried

Very, very few people actually have long stretches of uninterrupted time at an office. — © Jason Fried
Very, very few people actually have long stretches of uninterrupted time at an office.
Fiction -- at least for me -- requires long, relatively uninterrupted time stretches in which to bring it to fruition. I've never been a two-hour-in-the-morning writer, who could put in another six hours on Sunday afternoon. For me, a novel requires weeks of living in a largely mental and wholly internal landscape. Everything else has to be relegated to the odd hour here, the bit of time there. Sadly, however, uninterrupted time blocks are not what life doles out today to any of us with regularity.
I loved my time in Congress, but people who spend all of their time planning to run for office have very few useful skills to deploy when they finally get there.
Most people are in marriages, and there are very few movies made about what it really is like to be married for a length of time. You always show the romantic part and all that. Or the divorce, and the horrible split, and the guy's having an affair, or she's having an affair, and they're going to get split up, whatever. But very few people just look at what actually happens in a marriage.
I had very supportive parents that made the way for me, even at a time when there were very few women - no women, really; maybe two or three women - and very few, fewer than that, African-American women heading in this direction, so there were very few people to look up to. You just had to have faith.
Just in the past few years - since I've been making movies, which isn't a very long time - you now have a culture that is fascinated and informed about the box office in a way that sometimes filmmakers weren't even.
You cannot ask somebody to be creative in 15 minutes and really think about a problem. You might have a quick idea, but to be in deep thought about a problem and really consider a problem carefully, you need long stretches of uninterrupted time.
The beauty of architecture is it involves work that stretches over a very long time but often starts in one instant, with just one emotion, a kind of instinctual response.
Novels need readers of a certain kind, people who are patient and enjoy immersing themselves in another perspective for uninterrupted stretches of time. Reading habits might well be changing. People who pay for novels might overlap significantly with those who engage in Twitter and Facebook.
Some people think it's an easy gig working as an extra, but you often have to stay very concentrated for long stretches in challenging conditions.
Although very few people are actually called upon to live in palaces a very large number are unwilling to admit the fact.
We have a culture that is indirect in the extreme, where by the time you're five years old, you've watched tons of television, and have been subjected to what I call "the age of interruption," where everything is interrupted every minute. We have constant input from TV, computers, fax machines, telephones, etc. It's very hard for a modern American to have two hours of uninterrupted time. I know how it is because I insist on several hours of uninterrupted time each day, and I know how ruthless I have to be to get it.
Some few have a natural talent for office-bolding; very many for office-seeking.
Dramas for me are where it's at, but a great drama, a great character-driven drama, there's very few of them that get made; there's very few of them that actually make it to theaters. There's just very few of them.
I have a very, very great balance sheet, so great that when I did the Old Post Office on Pennsylvania Avenue, the United States government, because of my balance sheet, which they actually know very well, chose me to do the Old Post Office, between the White House and Congress, chose me to do the Old Post Office.
It seemed to work on camera. And there's very few films - because you make a lot of films and you meet people and you work very intensely and intimately and then you're gone - but there's a few where you actually make friends, and this [The Fall] was one.
Very few people really care about freedom, about liberty, about the truth, very few. Very few people have guts, the kind of guts on which a real democracy has to depend. Without people with that sort of guts a free society dies or cannot be born.
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