A Quote by Jason Gann

I like drama as well. When I played Hamlet, I got one review that said, "This must surely be the funniest Hamlet in history," but schoolgirls would still cry when he died. — © Jason Gann
I like drama as well. When I played Hamlet, I got one review that said, "This must surely be the funniest Hamlet in history," but schoolgirls would still cry when he died.
I saw Derek Jacobi play Hamlet when I was 17, and he directed me as Hamlet when I was 27, and I directed him as Claudius in 'Hamlet' when I was 35, and I'm hoping we meet again in some other production of Hamlet before we both toddle off.
I'd not really ever expected to play anything like 'Hamlet.' I hadn't seen myself as a natural Hamlet, whatever a natural Hamlet is, and I quickly realised there is no such thing.
I started to realise that it wasn't for me. Perhaps I didn't have to give my Hamlet before I died, that the world might be an OK place without my Hamlet, in fact.
Hamlet is a remarkably easy role. Physically it's hard because it tends to be about three hours long and you're talking the whole time. But it's a simple role and it adapts itself very well, because the thing about Hamlet is, we all are Hamlet.
I became an actress because I discovered the world of the imagination when I was about 14 or so and the concept that you could engage in this amazing world of storytelling. I saw a production of Hamlet, and I didn't know Hamlet died in the end.
Shakespeare without Othello, Lear, Macbeth and Hamlet would be all too much like Hamlet without the prince.
The review I've been most offended by came when I played Hamlet. I'd always prided myself on being an 'invisible actor' and not getting in the way of the play. But this review didn't mention me once. That's worse than being insulted.
'Hamlet' was the first movie I saw. In 1948, my mother said, 'I'm going to take you to see 'Hamlet' with Laurence Olivier.' She was worried about taking me to it because she wasn't sure I was old enough to understand it or to maybe be adversely affected by it, but I got recordings of it and memorized all the soliloquies.
Hamlet: Lady, shall I lie in your lap? Ophelia: No, my lord. Hamlet: DId you think I meant country matters? Ophelia: I think nothing, my lord. Hamlet: That's a fair thought to lie between maids' legs. Ophelia: What is, my lord? Hamlet: Nothing.
When you are at the right age to play Hamlet you are still to young and immature to play it. It is much later, when you get the life experience and the emotional power, that you understand Hamlet or Macbeth.
I think Hamlet is a very funny play - Hamlet is riddled with wit.
You don't really audition for Hamlet; Hamlet is one of those roles that a director or producer decides you should do it.
Hamlet: Is this a prologue, or the posy of a ring? Ophelia: 'Tis brief, my lord. Hamlet: As woman's love.
I have an aunt who believed strongly that teaching kids that Shakespeare is 'hard' is wrong, so she handed me 'Hamlet' when I was in kindergarten to see what would happen. What happened was I did a book report on 'Hamlet' and caused quite a lot of trouble!
When I think of all the Hamlets I've seen, there's been a load of different styles, some marvellous. You like the Hamlet you saw when you were the right age to think you could be Hamlet.
Hamlet 's character is the prevalence of the abstracting and generalizing habit over the practical. He does not want courage, skill, will, or opportunity; but every incident sets him thinking; and it is curious, and at the same time strictly natural, that Hamlet, who all the play seems reason itself, should he impelled, at last, by mere accident to effect his object. I have a smack of Hamlet myself, if I may say so.
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