Of course you draw from yourself, but the artistic nourishment you want to get is be versatile, do something different, and I think I got a chance to do that in a lot of different ways.
You want to give the director what they want, and you don't always know exactly how it goes, so you want to try it a few different ways. You have to be flexible; you have to be in collaboration with the director; you have to be versatile. But you also want to be protective of what you really believe in and how you feel it should be portrayed.
I don't think people want to look at problems. They want a continuous narrative, an optimistic narrative. A narrative that says there's a present and a future - and what was in the past no longer exists.
But whether we want to do it because we want to have people to have a different idea of who we are or not, we do it naturally. So the way we construct our narrative is different from the way we constructed it a year ago. The difference is maybe very small or it may be huge.
I want to be a versatile actor and do different kinds of roles.
What do I want to do? Acting wise? Well, there's a western that I want to do. There's a lot of producing that I want to do, projects that I have stacked up that are in my office that I'd like to get done.
I feel like I'm quite versatile. I want to do lots of different styles.
Say what you want without saying it yourself: quote. Very useful, this, sometimes lovely, and versatile, too: big thoughts in small pieces, neatly wrapped and bundled in bulk, in different flavors for different tastes.
There are a couple of things I want to impart to ladies who want to be in comedy: One, you don’t have to be weird or be quirky to get your job done. And two, comedy skill is not sexually transmittable. You do not have to sleep with a comedian to learn what you’re doing. Male comedians will not like that advice, but it is the truth.
I want to do more TV and more books. I want to have my hand in different projects. I'm way too hyper; I'm just one of those people who has to have a lot going on.
I want everyone to understand that as an actor you need to be able to play different roles, be versatile even in terms of your personality.
I want to photograph what I see and put it in a dramatic context. I'm an actor and a writer, and I want to tell these stories and present these shapes, colors and movements as I see them, as I see them serve a narrative. As I see that narrative serve an audience. That's what I want to do.
With comedy, you get an immediate response. I'm the whole kit and the kaboodle. I am the whole thing and can steer the whole situation how I want to. With film, you are basically in one area. Comedy is straight to it and the film is heavily shaped the camera and editing, so it's different.
I am not doing comedy because the genre is successful. If that was the case, I would have done a run-of-the-mill comedy film. I set my own trends. I like to give something new and different to my audiences. I want to do the kind of comedy that has been missing till now.
I didn't want to be taken advantage of and burnt out in the industry. I worked with my family really closely, so I was able to get that respect in the industry. So now I feel that I can let my guard down. People know who I am; I can be myself. I can be more versatile, and I can wear what I want.
I'll get laughs in the places I don't want them and that makes me realize the direction I want to go in. I don't mean to get too deep into comedy here.