A Quote by Jason Gann
I see something that seems like standard fare, that I can imagine any number of actors playing, and I'm generally not interested.
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Youth fare aside, I have generally always been interested in what's going on culturally.
Any script, even like The Founder, if it's something that I imagine myself playing this character or that character - any of the characters, basically - how do we flesh these characters out to be good enough to have amazing actors that come in that make it really difficult for them to say no? Even though I'm not right for any of those parts, that's just kind of how we go about it.
It seems that the Internet is setting the standard for almost everything. I can't imagine having something like punk rock happen where an entire culture is doing one thing. It's not like all the kids in England are discovering the Stooges and the Ramones at the same time. All the kids in England are discovering every band that has ever existed. I can't imagine there being one huge cultural moment like there was in the past. Everything ends up being kind of postmodern.
I think it was going to be hard to work with Russians on Syria. There is some potential overlap between the U.S. and Russia in that the Russians don't want to see the Syria situation unravel to a point where they have to escalate their own involvement. But at the moment, I don't see the U.S. and Russia on the same page in Syria. Russia seems much more interested in consolidating government control over liberated areas. It seems to me that the U.S. and Russia are proving they can disagree for independent reasons in any number of theaters.
I suppose there are actors who are worried about their public image. But I've never had any trouble playing unpleasant characters. It is only a part. Which is why you do it -because you are interested in exploring something you never could or would be.
It's difficult for me to imagine any scene differently because I've read the book so many times. The book, as a whole, seems like a document that wouldn't withstand any changes at this point. Or perhaps I simply can't imagine having to revise it again.
I've never pursued a role. I always hear stories about actors going after parts and I'm, like, 'How do they do that?' It seems so weird. It seems like a total myth or something.
I think it just seems like something that somebody else does, like they raise actors somewhere in Ohio, and once in a while, people go and pick their actors and move to Hollywood. It seemed like such a distant idea. But then, as I started growing up, I'm like, 'Oh, this is an occupation.'
Playing those one-dimensional characters is actually really difficult because you're not dealing with somebody you would ever really know. I don't think anybody here could imagine actually knowing Cindy Campbell from 'Scary Movies.' So, in a way, your job is so much easier when you're playing a person that you really understand and that seems very relatable. I think I was coming to a place in my career where I was like, "I'd like to do something a little more rewarding."
People often say, with pride, 'I'm not interested in politics.' They might as well say, 'I'm not interested in my standard of living, my health, my job, my rights, my freedoms, my future or any future.' ... If we mean to keep any control over our world and lives, we must be interested in politics.
Every now and then I'll do little things, a short story or something, that doesn't have any fantastical elements, but mostly I like the power of playing God and I like to imagine things.
It just seems to me that the world's kind of a mess, and the more messy it gets, the more interested I am in escapist fare. Having a good time is something that isn't about the war in Iraq or the Asian flu or the Kyoto protocol - things that are horribly depressing to consider in our real lives. I'm eager to get away from them.
After the events of last week, I'm appalled at the standard Australia seems to be willing to accept in regards to its own behaviour and the behaviour of our leaders. Accuse me of playing the gender card all you like, but I will not walk past it any more. You might consider joining me.
The industry has a standard way of judging actors: they do ten films, they get X price, and they get this number of awards, seen at page three parties and all that - that is how they measure success. I don't do it like that.
Daniel Day-Lewis is particularly a sort of beacon I've been following for some time. For God's sake, I'm not even in his league but he inspires me because he's not interested in playing himself; he's only interested in playing other people and the whole thing is like an adventure for him, it seems to me. It's some kind of spiritual exploration, which is an amazing, noble thing.
If you look at the films that I've done generally, you would probably get an idea of what I'm most interested in, and if ever I do something unusual like a science fiction film or an action film or a comedy or something, then that to me feels like a step to the side to do something different.
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