A Quote by Jason Gann

The writer's room is a really interesting place to be. — © Jason Gann
The writer's room is a really interesting place to be.
Comedy can be, especially in a writer's room, really aggressive, kind of a very male-dominated room, and it would be hard for women. It's not a nurturing place. It's not like a lot of women are going to say, I can't wait to live that lifestyle and be in a writer's room until 2 or 3 a.m.
The room is a special place. It's not "A room" it's THE room. It's a place where there is no restriction. If we title it "a room" it can be any room but it's THE room so it is a special place. We all have this place. It's like our little corner that you are comfortable with.
Well, that’s interesting,” I said. “What’s interesting?” Jack called from the other room. “Something is interesting?” Lend shouted. “No! Nothing!
All I've wanted to do is write. In school I just wanted to be a writer but I was afraid to be a writer because I felt I couldn't. It didn't really feel like my writing was interesting enough, so getting a book published was a huge kick.
The hierarchy plays out in the writers room, and you, as a staff writer, need to know your place.
Fly flight is just a great phenomenon to study. It has everything - from the most sophisticated sensory biology; really, really interesting physics; really interesting muscle physiology; really interesting neural computations.
People assume because you're a comedian that you want to be an actor or that you want to be a writer too. It is a very cool kind of open-ended place to enter because I don't know if I ever really imagined myself working in a writers room or acting in that capacity.
You know, Rochdale is a really nice place, but it's not the most interesting place on the planet.
When I was in the writers' room, all these writers were like, "Ugh, another star that they gave a writing-producing credit to." But then within like an hour, they were like, "You're really a writer." "Yeah, I really am. I'm a writer, and a director, and a producer, and an actor, and a painter, and I do all that stuff in the Lush Life." It was great.
My favorite room in the house is the living room. We have two big couches, six recliners and over 20 pillows. It's a really comfortable place to hang out with my family.
There's a half-conscious state you enter when you're actually generating prose, and you are simply a better writer in that place. In fact it's the only place where you even are a writer.
No theoretician, no writer on art, however interesting he or she might be, could be as interesting as Picasso. A good writer on art may give you an insight to Picasso, but, after all, Picasso was there first.
On a more technical level, a story takes a lot of words. And to generate words and phrases and images and so on, that will compel the reader to continue reading - that stand a chance of really grabbing a reader - the writer has to work out of a place of, let's say, familiarity and affection. The matrix of the story has to be made out of stuff the writer really knows about and likes. The writer can't be stretching and (purely) inventing all the time. Well, I can't, anyway.
If you're in the writer's room, in any writer's room in the world, before you pitch a joke or suggest an idea, you first think it's funny and decide to say it out loud. The next step is for the people around you to accept it or reject it, before it ever sees the light of day, on film or in front of an audience.
A whole album to one writer - now that would be really interesting.
'Nathan for You' was my first time being in a writer's room, really.
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