A Quote by Jason Giambi

I know my swing is going to be there. I don't need 600 swings in the cage; I know where it's at. — © Jason Giambi
I know my swing is going to be there. I don't need 600 swings in the cage; I know where it's at.
Swing your swing. Not some idea of a swing. Not a swing you saw on TV. Not that swing you wish you had. No, swing your swing. Capable of greatness. Prized only by you. Perfect in it's imperfection. Swing your swing. I know, I did.
One of the most obvious aspects of the music to people who know jazz is: How does it feel in the swing? These are things that are very subtle and that jazz musician appreciate in a particular way. I appreciate the way Tommy Flanagan swings, the way that Barry Harris swings, the great pulse that Hank Jones and Bill Evans have - end every one of them is different.
When Cara [Delevingne] and Dane [DeHaan] arrived, I told their agent, "They need to know all this." I gave them the 600 pages. I said, "You have to learn everything. You're a cop. You need to know the names." I don't want him, when he meets an alien to go, "Whoa" like this. I want him to know if this guy is peaceful.
What I need is an Urban Thesaurus. I know what money is what I need is 600 different ways to say it.
I've got the knowledge and experience to know what's going on in the cage or the ring. And I know how to entertain an audience and how to use the microphone. I know my market.
'Golf Digest' had all the old school swings, and my favorite swing, ever, was Nick Faldo's swing. And it had all the greats, Ernie Els and Nick Faldo and all that stuff, and I had the pictures of their swing sequences on my wall.
Jazz comes from a tradition where it swings. Swing was the main ingredient of jazz. And once it loses the swing...well, that's it.
If we are going to stay a great power and I hope and pray we will we need the truth. We need to know what is going right and we need to know what is going wrong. There is no greater time than now.
Everybody has two swings-a beautiful practice swing and the choked-up one with with which they hit the ball. So it wouldn't do either of us a damned bit of good to look at your practice swing.
Nobody knows where jazz is going, because nobody has ever known where jazz was going. I mean, you couldn't possibly predict the Swing Era from the '20's or bebop from the Swing Era or Avant-garde from Bebop, or Effusion, or on and on and on. So, we don't really know where it's going.
Most of the moments of our life - and I calculated, you know, the psychological present is said to be about three seconds long; that means that, you know, in a life there are about 600 million of them; in a month, there are about 600,000 - most of them don't leave a trace.
I sometimes think I might be autistic because I like to know - I need to know - my beginnings and my ends. I don't have to be in control of it, but I need to know what's going on.
Just because somebody swings one way and I swing another way doesn't mean he's better than me or I'm better than him ... Does my swing get hits? Yes.
Don't be governed by the grid, govern the grid. A grid is like a lion cage - if the trainer stays too long it gets eaten up. You have to know when to leave the cage - you have to know when to leave the grid.
Look, there’s nothing I’m ever going to tell you about me that’s the truth. The more you know about me, the shorter your life span is going to be. All you need to know is that I don’t miss. In fact, you don’t even need to know exactly how good I really am, because if you ever find out, you’re going to be dead. (Steele)
Everybody has a different opinion in this league and nobody is a prophet. I personally don't know who will win the league. I managed 1,600 games so, if Nani knows, he must be 1,600 times more intelligent than I am.
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