A Quote by Jason Isbell
My grandfather was a Pentecostal preacher, and there was nothing really modern that went on under their roof. We watched television, but they were very picky about what we could watch - old Westerns and stuff that wasn't vulgar or violent at all.
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My grandfather was a Pentecostal preacher.
I was always raised on cowboy films, and then when I could start making choices about the movies I wanted to watch I found myself wanting to watch gangster films which were slightly more sophisticated than the baseline stuff that was in westerns.
My grandfather was a Pentecostal preacher. It was a sin to even pluck your eyebrows, and they thought it was a sin for me to be there looking like Jezebel.
I watched westerns when I was a kid, like everybody else, but I wasn't a total nerd or geek about it. I kind of fell in love with westerns heavily when I started watching Sergio Leone's westerns.
I lost my innocence with Johnny Cash. I used to watch the Johnny Cash Show on television in Wangaratta when I was about 9 or 10 years old. At that stage I had really no idea about rock'n'roll. I watched him and from that point I saw that music could be an evil thing, a beautiful, evil thing.
I lost my innocence with Johnny Cash. I used to watch the 'Johnny Cash Show' on television in Wangaratta when I was about 9 or 10 years old. At that stage I had really no idea about rock n' roll. I watched him, and from that point I saw that music could be an evil thing - a beautiful, evil thing.
The thing that influenced me most in relation to 'Nanny McPhee' were the Westerns I watched with my father. All the Spaghetti Westerns; all the Virginians; all the High Chaparrals. Because if you think about the form, it's a stranger from out of town.
When I came in, Westerns were the big thing, so I did horse falls, transfers, bulldogs, big fights. That's where you could really shine if you were really good at it. But then all the Westerns stopped, and I was capable of doing car stunts, motorcycle stunts and high falls. I could do it all.
There is no other genre that deals with America better, in a subtextual way, than the Westerns being made in the different decades. The '50s Westerns very much put forth an Eisenhower idea of America, whereas the Westerns of the '70s were very cynical about America.
We actually lead very violent, passionate lives and I think that we're hungry for insights into this condition. That's why we get all that stuff on television. It's really where we are, really what we are.
I'm picky, very picky. I wanted to be an actor since I was nine years old, and I figured that was only one way to ever have any longevity, and that's to be careful about what kind of work you do.
I'm not a big fan of violent movies, it's not something I like to watch. And it's not my aim or goal to make a violent movie. My characters are very important, so when I'm trying to depict a certain character in my movie, if my character is violent, it will be expressed that way in the film. You cannot really deny what a character is about. To repeat, my movie end up becoming violent, but I don't start with the intent of making violent movies.
I remember sitting in this pool hall with Stone and Chris and we watched - this really old, really classic pool hall - and we were sitting there and it was really rainy out and George Bush came on and started telling us about the [Gulf] war and that we were going and, and the whole thing, and there's part of that in it, when we talk about "I don't question our exsistence / I just question, our modern needs.
I travel around and hear from so many kids. Their parents say they were always very picky but they watch the show and they want to try stuff. The show is entertainment, but I think it has done so much for the public perception of what food can be.
Women have a certain sexuality, and I think their bodies are beautiful, and I'm not embarrassed to explore that in a film. But there are things you get offered that are vulgar and violent - just like there's a side of me that's vulgar and violent.
I have a lot of fake food in my apartment, but I'm picky about it. Old plaster food, like from the '50s is really nice, hollowed out paper-mache food from old plays - the new stuff just looks too good.
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