A Quote by Jason Isbell

I don't care what 'Pitchfork' says. They write from a place that's a little too self-aware for me to really give a damn about what they're talking about. — © Jason Isbell
I don't care what 'Pitchfork' says. They write from a place that's a little too self-aware for me to really give a damn about what they're talking about.
Stop them damn pictures! I don’t care what the papers write about me. My constituents can’t read. But, damn it, they can see the pictures!
I don't give a damn how you feel about me, I sip lean pure codeine and I don't give a damn what you say about me.
I like men who style themselves so that I can tell they give a damn about how they present themselves, but not too much as to say that's probably what they care about most.
I've always rebelled a little when people say, 'My Jewish values lead me to really care about the poor.' I know some Christians who care about the poor, too.
I think the songs I was writing after Aeroplane were full of a lot of undealt-with pain that was just a little too big... the issues seemed too large for me to confront intuitively through songwriting. I kept pushing it and pushing it. There are so many issues about being human and why people inflict pain on each other. There were seeds of all these things I hadn't dealt with. With just the personal issues, I felt I was in over my head, but then to write about it... To write you have to have at least a little bit of confidence you know what you're talking about.
I don't really care too much about what people who don't care about me say about me, but a lot of times, you know, I get tired of defending myself.
Self-promotion has never been a point, and I'm incredibly inept at self-promotion. Talking about myself is a little less inspiring than talking about the character.
I don't really give a damn about too much other than myself.
Before my accident I was a little too... selfish and self-absorbed and for me, to now be at the place where I can kinda give back and inspire people. I'm blessed. I'm really blessed.
People don't give a damn about you and they don't give a damn about your story and they don't give a damn about your content. They only give a damn that you, your content, your story can bring value to them.
This may sound a little West Texan to you, but I like it. When I'm talking about.. when I'm talking about myself, and when he's talking about myself, all of us are talking about me.
I don't give a damn about the stock market. But I do care about jobs.
I bet there ain't anybody in South Africa wearing a button saying 'Free Compton' or 'California.' They don't give a damn about us, so why should we give a damn about them?
I want to say that what is cool about writing self-aware first person narrative is that the awareness is not necessarily the same awareness of the reader. I have a story coming out in the Paris Review and it's about a hipster. He think's he's self-aware, he's very introspective and analytical, but when you're reading it you can totally see through his self-analysis because you have a higher awareness than he does. I like playing with that too.
I don't give a damn about marriage. But I do care about honor.
I try to be aware of what I'm concerned about, aware of how I feel about myself in the world, aware of how I feel about the issues of the day, but I guess I don't want to write essays in my head about my craft and maybe it's because I teach and talk about craft of other writers as a reader. I feel the moment I start doing that is when it's going to kill me.
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