A Quote by Jason Katims
I sort of was inspired by 'Friday Night Lights,' where it was a very different show, but similar in that they were both large ensemble dramas where you had many stories going on at once. I wanted to do a show that shared that element, and that's really why I wanted to develop 'Parenthood' as a series.
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When I finally got my break in TV, as a staff writer, I always wanted to be at the top of that pyramid. I always wanted to make the decisions. I always wanted to be the one that was saying, "This is what the show is, and this is what the show is not. This is where we're going. It's going to be this kind of series." It was just something I always had my eye on, when I started in the business.
I had to always decide - am I playing Will in the scene, or is it the monster, or is it a little bit of both? I had to show two different sides of one person in a scene. They were definitely very opposites, because Will is this sweet little innocent sort of kid, and the monster is fierce; he's intense. You really have to show both sides.
The shows I've been working on, especially 'Parenthood' and 'Friday Night Lights,' I think are completely character-driven stories. I think, for most writers, that's a privilege to be telling those kinds of stories. It's erroneous to me.
With 'Friday Night Lights,' we were encouraged to make it our own and improvise as much as we wanted.
I came to NBC on 'Friday Night Lights' and they have supported that show and found ways - unprecedented ways - to keep it on the air for a long time. And when I came to them with the idea of doing 'Parenthood,' they not only supported me in doing it but also got behind it in such a way that we were able to put together this incredible cast.
'Friday Night Lights' was kind of like my college years because I did four seasons of that. It was my first series. It was the most time I had with one character, and kind of growing and evolving with the character over that long of a span of time, it just allows you to sort of learn in a completely different way that I had never experienced.
I wanted to develop a hypnosis show that no-one had ever seen before, so I made it very topical and interesting. I've created a UFC fight night every night on stage, where I hypnotise twenty people into thinking they're mad, crazed UFC fans, and the energy is unbelievable.
'Friday Night Lights' was an incredible show.
I wanted to show off - a simple impulse or drive; in much the same way as some kids wanted to play football, I wanted to show off. Not complicated in that sense, very natural; it just depends on how you want to show off.
Vegas is definitely a new challenge, but I wanted to be able to put on a different type of show. You get to do so much more when you don't have to put your stage in trucks after the show every night - we got to build a venue specifically for my show. It's going to be more like a party than a typical concert.
I've been in rooms where the creator has sold a show and then felt like the network didn't buy the show they wanted. They bought a show they thought they could craft into the show they wanted.
The most frustrating thing to me is when I tell people I work on 'Friday Night Lights,' they'll say, 'Oh, I hear that's a really good show.' They never watched it.
We've had to pay to play. We've had to borrow kit. We've had to train on a Friday night. Maybe a lot of boys, given that opportunity, would slip away, whereas we've had the mentality to go, 'I really want this. I'm going to show that I can do this.'
I really like scripted dramas. My favorite show of all time would have to be 'Lost': I loved how the writers and producers were able to weave the different storylines together; and the acting in that show was incredible.
In the past I'd always felt like 'the girl' in the show or the movie. On 'Friday Night Lights' there were a bunch of girls, and I was the woman. Initially there was a little struggle with my identity around that. But now there's a sense of ease.
I wanted to show that even if you fail, you have the ability to pick yourself up off the floor and try again. I wanted to show a different side of what a disability looks like to highlight all the invisible ones.
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