A Quote by Jason Kidd

The ball touched the paint a lot of times. When we talk about touching the paint, the ball touches the key for making a layup or making a play for a teammate. We've got to use our length and our speed. Defensively, getting deflections. Give up one shot and rebound.
Slowly from just touching the ball I got to making the ball and eventually hitting a decent defensive shot. Because I don't have a lot of weapons I have to use my speed.
Having the ball in my hand all the time and making plays, it was bound to come to a point where I knew where to get the ball to, who and when to give the ball to somebody. Just making the right decisions when I have it.
I think guys that play basketball really understand how to go up and get a ball. Because in a rebound situation, you've got to go up and fight for a ball. Just boxing out. There are a lot of things that transfer.
If you go out and practice super hard and then you go play in the game, it's going to be a lot more natural for you. You'll be able to catch the ball and think fast and start making plays, making people miss and turning it into the next phase of the play rather than just catching the ball and being surprised and happy that you caught the ball.
Reverse the ball one time for a good shot, two times for a great shot, three times for a layup.
When the ball is up in the air for a rebound you always have to be on your toes to go up for the ball. It's the same situation in football as a receiver; I'm always trying to get the ball at the highest point like a rebound.
With Bayern, we want a lot of ball possession and to control the play, so I operate sometimes like the 11th outfield player. Thus I am included a lot into the build-up play and have a lot of touches of the ball.
I can bring a lot. I play both sides of the ball. I defend. I have an offensive game. I rebound the ball. I get steals a lot.
It just depends on what's asked of me, but normally I'm looking to make the right, easy play. So if I can get a teammate a layup, if I can get him an open shot, I just think that gets the ball moving and I feel like it makes everybody feel good and we get into a better offensive rhythm.
The essence of paint ball is the fact that when you get hit by a ball full of paint, it hurts just enough to say, 'Ow, I gotta get out of the way,' but not enough to say, 'I quit.'
I get a lot of front ball in a position that, normally, the opponent's defense is making the move outwards, and our attackers are getting in.
Madrid's anarchy can make planning difficult: they're unpredictable. But if you can be defensively sound and use the ball well, making the most of the space they leave, you can do them damage.
My work is not about paint. It's about paint at the service of something else. It is not about gooey, chest-beating, macho '50s abstraction that allows paint to sit up on the surface as subject matter about paint.
If you aren't going to have a lot of the ball, you've got to play when you've got the ball, otherwise you end up giving it straight back and we start all over again.
As a quarterback, you've got a huge responsibility: You're touching the ball every single play. You have such a big impact on deciding the game, just in your decision-making and how you are with the football and your fundamentals.
When you know you're gonna have the opportunity to shoot the ball, because the coach draws up the play at the timeout, boom instantly you think about the play, you kind of like block away everything, and you think about the play and you kind of visualize yourself making the shot that you're gonna take.
This site uses cookies to ensure you get the best experience. More info...
Got it!