A Quote by Jason Lee
Pilots get made, and they don't go to series. Stuff gets written and never gets made. I've tried to develop stuff that never went. It comes and it goes. It's a part of the process.
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Most of the stuff I've written has never even gotten made. It's par for the course. It's a great living, but it also gets very frustrating.
Sometimes I watch films that I can't believe got made. Especially because I read scripts that are truly incredible, that will never get made. I don't know who is behind those decisions. It's like you just have to doodle something on a page about the underdog who finally gets the girl and the film gets made.
I don't want to be made pacified or made comfortable. I like stuff that gets your adrenaline going.
I have a mind like a steel trap. Stuff gets in there and WHAM! it never gets back out again.
A lot of ideas get re-used and made part of new songs if the first version didn't cut the mustard, and the stuff that gets left off usually contained the germ of something good but failed to reach a satisfactory state by the recording stage.
I definitely have had a couple of years where I've been working constantly, but it never goes away, that worry that you'll never work again. It's a funny job. It never gets easier. Rejection never gets easier.
What gets made that's considered for men - it's really just T&A stuff. It's not stuff than any guy I know really wants to watch, you know, the stuff with jiggling boobs and all that. Something with real sort of male themes and male strength and things I want to watch in a drama.
I would never sit and write a song in front of anyone, because you're so vulnerable. I don't know at what point in the process that it becomes acceptable to pass them on. When a song wants to be written, it will be written. When it does come, I will very rarely go back and edit lyrics. I'm quite a rational human being, and the only part of my life that I can't rationalise, or can't make sense of, is how a song gets written or why.
I've never made a penny from any of the school stuff I've done. I've had brands asking me if they can sponsor my channel for a year, stuff like that. But I've never monetised it. My books and my 90-Day Plan are my business.
You should never rely on interviews with musicians as being factual. Most of them are mangled and even have made up stuff in them, that is to say, made up stuff by the writer or editor.
There's a lot of dark horror, and a lot of sci-fi fantasy that's great, but what gets hyped a lot the big stuff. The most expensive stuff gets hyped a lot, and I love it, don't get me wrong, but there's things that fall through the cracks.
I might get scared of a really big dog, but I don't scare easy. As a youngster I used to watch all the scary stuff by myself, so nothing really gets to me now. There's actually a new series on TV called Hellevator and I filled out an application to be on the show because I love that type of stuff.
The biggest mistake I made was not having a full-time producer. I was securing locations and wardrobe and making sure people get called to show up on time and getting the film to the lab and getting the camera, and all this stuff that I'm happy to do, but if I'm doing every little thing, I'm not concentrating on my story. So it never gets any better than the script.
After my accident, the stuff that mattered was stuff that made a difference in the world, not the stuff that made money.
It never ceases to amaze me that readers who are willing to suspend their disbelief when it comes to the motivation of a vicious serial killer get high and mighty because I have put a coffee shop where there isn't one. Er... it's a novel. I made one up. I'm allowed to make stuff up. I'd go as far as to suggest that I make stuff up for a living.
Filmmaking and television series are team sports. Look for the best team for you. Plan, budget your time, money and spirit. You need all three to get serious work done. Never say no because something scares you. Never say yes because you're flattered. Stay open, but stay proud. It never gets easy. Get over that part. Get on with it.
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