A Quote by Jason McCourty

I want to be a part of something where I felt like I am wanted and where I feel like I'm part of a family. — © Jason McCourty
I want to be a part of something where I felt like I am wanted and where I feel like I'm part of a family.
I've always felt like I was an actor for hire. And almost apologetic for being a woman of color, trying to stifle that voice. But I don't feel that way in Shondaland. I feel like I am accepted into a world where I'm a part of the narrative - I'm a part of it.
I am part of the sun as my eye is part of me. That I am part of the earth my feet know perfectly, and my blood is part of the sea. My soul knows that I am part of the human race, my soul is an organic part of the great human race, as my spirit is part of my nation. In my own very self, I am part of my family.
After doing 'Firefly' and moving on, I always wanted to be part of a series again. I love doing films, too, but there's just something special about being part of the team and feeling like you're actually a part of the family, and I always look to re-create that.
We have this huge discourse on family in this country, but no one deconstructs it the same way. People talk about "the American family." The right wing has this thing - Focus on the Family. What the hell is that? I don't want to just discuss the issues - I want family to be a real part of the character of the novels I write, and I don't like to write things that feel like issue books.
At Yves Saint Laurent, I felt like the son-in-law - like I was part of the family, but not quite. When I was fired, I felt like the widow.
I just always wanted to be part of something where I felt like I belonged.
I wanted to be a part of charities when I saw people doing all the charity stuff in WWE. I wanted to be a part of that but because I was a heel, I couldn't, so it felt like I wasn't doing anything.
Adoption has been a part of my life and a part of my family, so it was how I wanted to start. It felt natural and right to me.
Now, I can't help but feel inferior. When I'm out in public in Afghanistan, I feel inferior because I'm doing everything I can to stay hidden, silent. I feel inferior because I am seeing firsthand the impact of America's foreign policy and can't help but feel like a living, breathing representation of that - despite my own personal views about that policy. It reinforces to me that I want to be part of the solution - and I want my work to be part of the solution - not part of the problem.
I was always torn between wanting whatever I pictured as a typical high school experience and that being just a part I wanted to play. I've written about this, but one of those typical high school experiences was drill team. Like, I just really wanted to wear a uniform and get on the bus and be part of this group. As an only child, the idea of blending in - and literally everyone being in sync and not standing out at all - felt like kind of a fun family thing.
I knew what I wanted to do, which was to become a recording artist, so I definitely felt like I had a calling. The performing part was the part that I wasn't sure about.
In the early '90s, it felt like there was space - there was like an empty feel. There was nobody really doing this. Maybe the Pixies were, a little bit. Their lyrics were also disjointed, more psychosexual or something. That's part of youth, too, maybe, that you just feel like you're doing something different.
As a director, you want to be really connected to every part of your set, from your actors all the way to your camera operators. Everybody is a part of the creative process, and if they feel like they're part of a team versus just being a tool, they're going to give you something special.
The kid makes you sick. He looks the part, he walks the part, he is the part. He's six-foot something, fit as a flea, good-looking - he's got to have something wrong with him....Hopefully he's hung like a hamster! That would make us all feel better!
I just feel very grateful to be a part of that, to be a part of a winning team... I'm trying hard not to be used to it, but I am kind of. It is something where I've run out of people that I want to work with because I've worked with everybody I ever wanted to. I really have. I can't think of anyone I'd want to work with right now because I'd just want to work with the same people again.
I recorded a lot of songs that I knew I didn't like just because maybe part of me wanted to be nice, maybe part of me just wanted to be in the studio, but I've been learning that it's really important to do what you want to do. Even though I might not write all of it, I am still picking out the songs that I want to do. A lot of people who are writing for me are people I have worked with for a while so they know who I am and what I want. I have a lot of opinions and I have learned that it is absolutely okay to express them and to say, "No, I don't want this."
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