A Quote by Jason McCoy

The stage and the live crowd taught me to think on my feet, to improvise. — © Jason McCoy
The stage and the live crowd taught me to think on my feet, to improvise.
When we got to the part where we had to improvise an argument in a poetic language, I got cold feet. "I can't do this," I said. "I don't know what to say." "Say anything," he said. "You can't make a mistake when you improvise." "What if I mess it up? What if I screw up the rhythm?" "You can't," he said. "It's like drumming. If you miss a beat, you create another." In this simple exchange, Sam taught me the secret of improvisation, one that I have accessed my whole life.
A live concert to me is exciting because of all the electricity that is generated in the crowd and on stage. It's my favorite part of the business - live concerts.
A live concert to me is exciting because of all the electricity that is generated in the crowd and on stage. It's my favorite part of the business, live concerts.
When I play live, it doesn't look like I'm interacting with the crowd that much because I'm looking at the controllers and I'm concentrating, but I really like it, for me it's easier to play live than to work in the studio, it's more natural to be on stage improvising.
Love presses my head with carefully placed feet, wretch that he is, until he has taught me to detest chaste girls, and to live with no counsel.
When I'm on stage, my interaction with the audience is something that really makes me come alive. It's a feeling like no other. The energy of the crowd fuels something new inside. It reminds me to live in the moment.
Life has taught me to think, but thinking has not taught me to live.
Kishore Kumar is the voice of India, M.D. Rafi taught me to sing romantic numbers, while Nusrat Fateh Ali Khan's live recordings helped me prep for stage shows.
It's all performance and my acting background made me very comfortable in front of people, in front of cameras. It helped me think on my feet in front of a crowd.
If you improvise a riff and the crowd immediately reacts to it, you know you're on to something.
I think music made me who I am. Music taught me what was gutter and what wasn't. Music taught me how to live.
Throughout the entire history of philosophy, philosophers have sought to discover what man is - or what human nature is. But Sartre believed that man has no such eternal nature to fall back on. It is therefore useless to search for the meaning of life in general. We are condemned to improvise. We are like actors dragged onto the stage without having learned our lines, with no script and no prompter to whisper stage directions to us. We must decide for ourselves how to live.
[My father] taught me (at least he showed me) a dignified way to be a former president is that once you're off the stage, you're off the stage.
I can't really hear the audience applause when I'm on stage. I'm totally immersed in the piece. But sometimes I get a lot of it and wonder, "Now, why did they applaud here?" If it's a white crowd, they usually applaud because they think it's a pretty movement. If it's a black crowd, it's usually because they identify with the message.
Every now and then, they ask me to come in and improvise with Stanley Tucci for an afternoon. They fly me off to America, I improvise for an afternoon - it's not the hardest, most taxing job.
Every crowd is different. But that's something that I enjoy, and you can feel it in the first few seconds when you walk out on stage. You know, how a crowd is.
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