A Quote by Jason Mewes

I was a metalhead and then I was into the rap and then I was a metalhead again. — © Jason Mewes
I was a metalhead and then I was into the rap and then I was a metalhead again.

Quote Topics

If someone is a straight jazzhead, or a straight metalhead, or straight classical, they have a very narrow range of what they allow into their lives. But the people who listen to what we put out into the world have to be open-minded. Because we're so pluralist.
I've always been into music. I used to DJ. I used to mix reggae and that. I used to be into reggae hard. Well first it was rap, then reggae, then rap again, then rap and reggae. But I was always DJing out my window for the whole estate. Everyone used to sit outside and all and listen. And I used to be running rhythms in that.
Back when the Bible was written, then edited, then rewritten, then rewritten, then re-edited, then translated from dead languages, then re-translated, then edited, then rewritten, then given to kings for them to take their favorite parts, then rewritten, then re-rewritten, then translated again, then given to the pope for him to approve, then rewritten, then edited again, the re-re-re-re-rewritten again...all based on stories that were told orally 30 to 90 years AFTER they happened.. to people who didnt know how to write... so...
We went through rock 'n' roll, which then became just rock, then punk rock, then the worst disease of all - rap music. It's an oxymoron, because rap is not music.
The stressful thing about being an actor is, like, you have to kind of audition again and again and again, you know? You go in one time, and you go in again for a director and then again for producers and then again and again and again.
Like other parties of the kind, it was first silent, then talky, then argumentative, then disputatious, then unintelligible, then altogether, then inarticulate, and then drunk. When we had reached the last step of this glorious ladder, it was difficult to get down again without stumbling.
Here’s what I know about the realm of possibility— it is always expanding, it is never what you think it is. Everything around us was once deemed impossible. From the airplane overhead to the phones in our pockets to the choir girl putting her arm around the metalhead. As hard as it is for us to see sometimes, we all exist within the realm of possibility. Most of the limits are of our own world’s devising. And yet, every day we each do so many things that were once impossible to us.
Identify your personal limits and then push past them. Then set new barriers, and repeat the process, again and again and again.
When Rick Perry was told about Kim Jong Il, he said, 'I never heard of him, but then again, I don't listen to that rap.'
Think of it this way: performing is like sprinting while screaming for three, four minutes. And then you do it again. And then you do it again. And then you walk a little, shouting the whole time. And so on. Your adrenaline quickly overwhelms your conditioning.
I was wholly at peace, at ease and at rest, so that there was nothing upon earth which could have afflicted me. This lasted for a time, and then I was changed ... I felt there was no ease or comfort for me except faith, hope and love, and truly I felt very little of this. And then presently God gave me again comfort and rest for my soul ... And then again I felt the pain, and then afterwards the delight and joy, now the one and now the other, again and again, I suppose about twenty times.
I revise the manuscript till I can't read it any longer, then I get somebody to type it. Then I revise the typing. Then it's retyped again. Then there's a third typing, which is the final one. Nothing should then remain that offends the eye.
In fact, to me it's liberating to not think of identity as some organic property that we have to find and stick to, but actually something that is constructed, or that's imposed, that we can then counter by taking a different route and re-dressing it, and then re-dressing it again, and then re-dressing it again.
I can't freestyle or else I'll just start saying anything, so I'll write the song first and then record. I'll rap to the producer and he'll make the beat off my rap.
I guess, like, I've always listened to rap, and I remember I specifically started listening to, like, pop-rap when I was, like, 11, you know, like Shaggy. I love Shaggy. And then I discovered, like, underground rap when I got to high school, and really, that's when it kind of blossomed. I don't feel like my love for rap blossomed off of Shaggy.
I think for me with theater, I need to take a break and then fall in love with it again. And then go do it again.
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