A Quote by Jason Mitchell

'Straight Outta Compton' is not a story we didn't know about or anything like that, but it's just something that resonated really well... It had no choice but to explode.
I was a little hesitant at first because there's so many ways you can get 'Straight Outta Compton' wrong. You know, it's such a great story; it's such a classic tale. I was a little nervous 'cause it's like a very narrow road to success with that type of story - you got to get it right - but when I read it, I was pleasantly surprised.
I call his ['Straight Outta Compton'] story a Disneyland because it's an illusion. It is how he wanted it to be remembered, so that is how he portrayed it. And he had every right to do that. As did I.
I want more movies like 'Straight Outta Compton.' Showing our stories of triumph, we'll make it through, and we'll get to something better.
'Straight Outta Compton' is my first biopic, my first period piece, and I got a chance to kind of get out there like some of my idols, you know, like Scorsese, Spielberg, Spike Lee, the guys who came before me. You know, I'm feeling good about it.
'Straight Outta Compton' is the album I'm least happy with. I threw it together in six weeks so we could have something to sell out of the trunk.
My son Darrel could recite 'Straight Outta Compton' at two years old. He loved it! You can expose your kids to anything as long as you sit there and explain it to them.
This entire cast, N.W.A, was an all-star group, and I really feel like people are going to look at 'Straight Outta Compton' years from now like this was an all-star cast.
Universal woke us up with a movie called 'Straight Outta Compton.'
There's so much black content on multiple platforms, and it's all getting great ratings. If you think about the Oscars snubbing 'Straight Outta Compton,' in a way, that kicked all of this off.
Maybe I had something to do with that. I don't know. But public don't believe press. If you were straight and really told it like it is, as Howard Cosell used to say, right? Of course, he had some questions also. But, if you were straight, I would be your biggest booster. I would be your biggest fan in the world, including bad stories about me. But if you go - as an example, you're CNN. I mean, it's story after story after story is bad.
The more parents hate the music, the more their children will like it. It had been true with Elvis, and it had been true with the Rolling Stones. 'Straight Outta Compton' was music that parents could loathe with a passion. I knew we had a massive hit.
I think people respond to truth. 'Straight Outta Compton' made $60 million over the weekend, right? That's not just a black audience. 'Empire' grew every single week. That's not just a black audience. Black culture is American culture, you know what I mean? They're becoming more and more one in the same.
When Dre and I started making the 'Straight Outta Compton' record, every day on our way to the studio, we would listen to the 'It Takes A Nation' album.
The movies 'Dope' and 'Straight Outta Compton' blew me away. I love seeing directors and writers of color make amazing slices of pop culture.
'Straight Outta Compton' was such a great movie, and obviously, I'm in the music business, so getting to see that piece of history was amazing, and it was an incredible movie.
So you want another story?" Uhh... no. We would like to know what really happened." Doesn't the telling of something always become a story?" Uhh... perhaps in English. In Japanese a story would have an element of invention in it. We don't want any invention. We want the 'straight facts,' as you say in English." Isn't telling about something--using words, English or Japanese--already something of an invention? Isn't just looking upon this world already something of an invention?
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