A Quote by Jason Molina

I really enjoy recording right after a tour. We're tired, but the songs are really lived in by then. — © Jason Molina
I really enjoy recording right after a tour. We're tired, but the songs are really lived in by then.
My first songs, I would just record them on this little tape recorder, and then I didn't start recording songs I really liked until my friend gave me a 4-track (recorder) and that's when my ideas really started coming together.
Dweezil and I are going on tour with the band probably starting in the middle of February for a month probably playing a few songs from my new record and then I'll continue on after that tour
Dweezil and I are going on tour with the band probably starting in the middle of February for a month probably playing a few songs from my new record and then I'll continue on after that tour.
I don't particularly enjoy standing alone and recording my own voice or my own stuff. It's sometimes fun to do for demos and stuff, but I really enjoy the social act of recording records, because writing it is so lonely. And it has to be.
I like to record with people. I don't particularly enjoy standing alone and recording my own voice or my own stuff. It's sometimes fun to do for demos and stuff, but I really enjoy the social act of recording records, because writing it is so lonely. And it has to be.
Some people don't have a way of that catharsis and I do, so I'm lucky in that sense that people listen to my songs and enjoy my songs. It's a really important thing for me, it's how I channel everything. I don't really know what I'd do if I didn't write songs.
No matter how famous and established they were or however blessed they were with great songs or long careers, if they lived alone, they lived alone. That's not the way I wanted to live prior to the tour or after.
In many ways Bright Eyes is really a studio project. We form bands to tour, but it really is - you know, we take the songs and we figure out how to decorate them and it's all in the studio; we build the songs that way.
I never get tired of doing those Runaways songs. My mind is still that young girl up on stage, only a lot wiser. I really enjoy it.
Right now I really enjoy writing songs.
I think being a singer-songwriter... your job is to tell a story that other people can't really tell themselves. And I really hope that people kinda go: "This happened once and I kind of like this song because I relate to it..." So if at least one of my songs over this tour's that song, then that's really cool.
There's so much more subtlety to this new recording. There's a subtlety in the playing. There's also a subtlety in the way I approached the singing. The band was able to really capture the feeling of the songs and not really trade anything that we had sort of arranged for the live presentation, but the songs just aren't as loud.
It was more about getting together with other musicians and playing live. I needed to suss out a full set [for the Last Summer tour], and I didn't want to play Fiery Furnaces material. So half of our set was new songs that we ended up recording for this album. And that made such a huge difference - going into the studio after playing a song for two years, knowing it inside-out and having sung it millions of times, and then recording it is a totally satisfying experience. You're suddenly in this controlled environment and you can make it sound exactly as you've been imagining it.
You really notice how you're growing when you go on tour. To be able to tour around the world, and do bigger venues every year, is really, really cool.
We did a two month tour with Taj Mahal that was really healing and cathartic and a good distraction after my brother passed away. Then I knew I wanted to take a year off, and it was really nice to have that chance to fall apart.
All those experiences were a chance to learn more about music. Playing with the Valley band is like such a "live" band. I mean, really, in many ways Bright Eyes is really a studio project. We form bands to tour, but it really is - you know, we take the songs and we figure out how to decorate them and it's all in the studio, we build the songs that way. Whereas Mystic Valley Band was the exact opposite, where everybody knows what they are gonna be playing on the song and there's sort of a general stylistic approach, and then it's just plug in and play.
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