A Quote by Jason Momoa
You cannot embrace the action or play the role correctly if you're having someone else do the movements for you. I want to be doing it myself, unless it's going to be a train wreck.
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It's difficult to say no sometimes. I often hear, "They'll really take care of you," or "Someone else is going to take the role if you don't play it." Some of the best advice I ever received was to always ask myself: Am I going to kill myself if somebody else takes this role? The answer is almost always no.
When you start to do research into gorillas or any kind of apes, if you're going to play them, that's one of the biggest misconceptions. And when I did Kong, you're not doing gorilla movements, you're not doing ape movements, you're looking for a personality. It's like saying okay I'm going to do human movements.
But you're almost eighteen. You're old enough. Everyone else is doing it. And next year someone is going to say to someone else 'but you're only sixteen, everyone else is doing it' Or one day someone will tell your daughter that she's only thirteen and everyone else is doing it. I don't want to do it because everyone else is doing it.
You have to listen to what someone is doing and help them get to where they want to go, musically speaking. I play a supporting role if someone else is soloing, and a guitarist will do the same for me while I am soloing.
There's no point in it unless it's a story that you really want to tell. It's a nebulous job. Unless you're doing it well, you're not doing anything. And there are a few of those. It's perfectly possible to be a passenger on a film set because if somebody else has written it, you can make nothing of that role and that's exactly what bad directors do.
I make it a point to speak to the directors and tell them why I don't want to do a particular role or film. If, despite that, they hold it against me, I cannot help it. I cannot do things that I don't want to just to please someone else.
Everybody's a train wreck in their own very special way. But there's something wildly freeing about someone who's unapologetic, who knows they're a wreck and doesn't even try to hide it, just bulldozes through life.
You know, we have a fiscal train wreck before us. And unless we act, and act deliberately, we're not going to enable our kids to have what we have. It's plain and simple as that.
I see myself as no color. I can play the role of a man. I can paint my face white if I want to and play the role of white. I can play a green, I can be a purple. I think I have that kind of frame and that kind of attitude where I can play an animal. If you think in color, then everyone around you is going to think in color and that puts limits on the way you think. I don't think like that. A lot of the roles that I'm doing are roles that a man or a person of any color can do.
Because there's no way on earth she's going to make it through college unless she grows some serious ovaries and turns this train wreck around
I'd rather play a tune on a horn, but I've always felt that I didn't want to train myself. Because when you get a train, you've got to have an engine and a caboose. I think it's better to train the caboose. You train yourself, you strain yourself.
Unless the schools provide our children with a vision of human possibility that enlightens and empowers them with knowledge and taste, they will simply play their role in someone else's marketing schemes. Unless they understand deeply the sources of our democracy, they will take it for granted and fail to exercise their rights and responsibilities.
Everyone's life is a train wreck. Your life happens to be a high-class train wreck.
I train harder than anyone else in the world. Last year I was supposed to take a month off and I took three days off because I was afraid somebody out there was training harder. That's the feeling I go through every day - Am I not doing what somebody else is doing? Is someone out there training harder than I am? I can't live with myself if someone is.
You cannot allow whether someone likes you or not to alter your course of action. Sometimes I think, 'Sure, that hurts my feelings.' But it's not so important that I will adjust what I'm doing because someone is not going to like me.
There's always advantages and disadvantages to doing any role. And there's a great sense of achievement, testosterone, fun, being able to live out your masculinity when you play an action role, or an action-adventure, or a real tough-guy role. Really, if you're doing a comedy, you can sit back and relax. And it's good to know that at the end of the day, you don't have to run off for another two hours and go to the gym, or go spend the rest of the night swordplaying with stunt guys. Then I think, "Oh my God, I love comedy.".
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