A Quote by Jason Momoa

Most people don't know who I am in the industry. I'm far from 'Conan' and 'Game of Thrones.' — © Jason Momoa
Most people don't know who I am in the industry. I'm far from 'Conan' and 'Game of Thrones.'
I had worked in TV prior to working on 'Game of Thrones' - 'Game of Thrones' is far more cinematic than any other television show that I had done before, and so I feel that the worlds of TV and film are most definitely merging as one.
There's a lot of 'Game of Thrones' stuff used in a lot of pastiches. I don't know if I've seen a Lego 'Game of Thrones' yet, but there must be one. And there's an animated thing that's been going on for quite some time, and Littlefinger is a newsreader in it, and it's great.
There is a huge fan base, they're very knowledgeable and very loyal. I was astonished - before I started working on the series I didn't know anything about Game of Thrones. I hadn't heard of the books. When it started going out, people were coming up to me in the street saying [fake cockney accent] "oh, Game of Thrones, f------ wonderful.
The most exciting thing about joining 'Game Of Thrones' is joining 'Game Of Thrones.'
Most people are dispensable in 'Game of Thrones,' not only in the story but in the series.
It's not like I love dragons! Only on 'Game of Thrones!' Our dragons are amazing, and they look really real. But I think after 'Game of Thrones,' I won't be a fantasy fan.
There's no way the writing staff of 'Game of Thrones' haven't read 'The Art of War.' There's definitely an influence on 'Game of Thrones' from this book in both a general way and on the character of Lord Baelish and his strategies.
One of the trickiest things about 'Game of Thrones' is just seeding those first couple of episodes with that basic information that people need to know, both about the world and the ground rules of the world, and the relationships between the characters, as far as who means what to whom and why.
You know, in this industry, being an openly queer actor or entertainer, you can play the game your way, or you can play it the industry's way. And I decided to play it my way. I played it the industry's way far too long.
I'm not sure I'd have said, 'I'm a fantasy viewer.' Now I know I am, because I sat and watched 'Game of Thrones' and have never been more invested in a show in my life.
A lot of people don't know enough about me. When I meet people who freak out about Game of Thrones, they don't even know that I can speak English.
The first home system we had was an Apple II, and I remember playing a game called 'Conan.' It should have been called 'Tarzan' because you were essentially Conan running around a forest with a boomerang, but it was obviously Tarzan.
Always keep your foes confused. If they are never certain who you are or what you want, they cannot know what you are like to do next. Sometimes the best way to baffle them is to make moves that have no purpose, or even seem to work against you. Remember that, Sansa, when you come to play the game.” “What . . . what game?” “The only game. The game of thrones.” -(Littlefinger)
If, like me, you've never watched 'Game of Thrones', the podcast 'Binge Mode: 'Game of Thrones'' ought to be unlistenable. It isn't, thanks to the energy of the two expert presenters Mallory Rubin and Jason Concepcion, who have the wit to laugh at their own deep-dive devotion and are helped out by some smart editing.
Everything's pretty consistent in the industry, you know. There's a couple of naysayers, whatever, people who don't agree. But for the most part a lot of people believe in the new class of MC's that coming to the game.
People don't actually, a lot of times, know the game behind the game. If people think that they do, it's a little bit of a naïve assessment of how the [writing] industry works.
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