A Quote by Jason Moran

Tons of musicians who I love are imprisoned by their identity. That can be totally fine because they are so amazing in their technique, but for me, I'm a little too restless for that.
In many countries, same-sex relationships are illegal. Young people are forced to hide and deny their love and their identity. LGBTQI people are persecuted, harassed and even imprisoned. For me, this is totally inconceivable.
My parents were kind of like me in that they had tons and tons of weird, amazing stuff.
Chicks who dig home runs aren't the ones who appeal to me. I think there's sexiness in infield hits because they require technique. I'd rather impress the chicks with my technique than with my brute strength. Then, every now and then, just to show I can do that, too, I might flirt a little by hitting one out.
You drink a little too much and try a little too hard. And you go home to a cold bed and think, that was fine. And your life is a long line of fine.
I used to love fine dining, but I lost my appetite for it to a degree because sometimes it is too much about the effort and too little about the result.
I can't do too much musical movement with a lot of MC's, because they don't know how to follow me. But with Souls of Mischief, I could go anywhere because they are musicians - they rap as musicians, and they play instruments and produce, so they get that.
I do not sleep, but it's totally fine, because I love what I do.
If you're walking through the Union Square subway station - New Yorkers know it's obnoxious and crowded, and in the summer it's too hot - there are always amazing musicians playing, and sometimes there are multiple, different musicians set up in there.
Some people when I speak of awareness of the "inner body" call it a technique. I would not call it a technique because it is too simple for that. When the oak tree feels its roots in the earth, its connectedness with the earth, it is not practicing a technique.
They will often tell me they can't love themselves because they are so fat, or as one girl put it, 'too round at the edges.' I explain that they are fat because they don't love themselves. When we begin to love and approve of ourselves, it's amazing how weight just disappears from our bodies.
When we have sold our identity to the judges of this world, we are bound to become restless, because of a growing need for affirmation and praise.
I don't think of myself as a feminist, but if someone calls me a feminist icon, that's fine. I've always stood up for women and myself in general. I have a great love and respect, because I have had beautiful sisters, aunts and my grandmas, but I love men. I totally understand the nature of men.
Everybody has been told already that they're too shy, too aggressive, too emotional, too reserved. They know what their fatal flaw is. They know the one thing to do to get better. But they just don't commit to changing because they feel a little bit in love with it, a little bit in love with the way they've been.
Technique to me is a kind of a ... I'm reluctant to talk about it because it seems so obvious to me what good technique is. I mean, you sit down, you shut up, and you pay attention is basically the good technique. And then the footnotes add; on an empty stomach, in a dark room, feeling comfortable.
Technique! The very word is like a shriek of outraged Art. It is the idiot name given to effort by those who are too weak, too weary, or too dull to play the game. The mighty have no theory of technique.
For me, the intellect is always the guide but not the goal of the performance. Three things have to be coordinated, and not one must stick out. Not too much intellect because it can become scholastic. Not too much heart because it can become schmaltz. Not too much technique because you become a mechanic.
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