A Quote by Jason Mraz

I have always wanted to do an acoustic record from the very beginning of my career. I was a coffeeshop artist where everything I did was acoustic. — © Jason Mraz
I have always wanted to do an acoustic record from the very beginning of my career. I was a coffeeshop artist where everything I did was acoustic.
I'm pursuing soundtrack work in the southern California area and down the line I plan to make a moody, intense acoustic album. Not all acoustic, but an acoustic - oriented guitar record that I've already written most of the material for.
I've actually always wanted to make something like an acoustic record.
I play acoustic when I need to play acoustic, and I say I'm probably a better acoustic player than I am electric.
I've always been an acoustic guitar player, and I've pretty much continued to play acoustic guitar throughout all of the Sonic Youth periods. My material for Sonic Youth often started on acoustic guitar.
If you play the very subtle jazz tunes with acoustic pianos, acoustic bass and it's a dead standard, you are going to play very differently. It depends on the music.
I never thought I would do an all-acoustic tour or an all-acoustic album.
It's interesting to see how acoustic guitars are emerging as a primary instrument once again ... reminds me very much of what Jim Messina and I were doing back then. You can't get too far away from an acoustic guitar
Acoustic ecology is the study of information systems: the shared acoustic environment and how species send and receive messages in this shared acoustic environment. What these messages mean - meaning, what are the consequences and the changes of behavior in any species. And it has as much to do with us individually and biologically as it does with the shaping of cultures and beliefs.
The first thing you realise very quickly when you decide to do an acoustic version of an electric song is your solo either becomes either very truncated, very different, or non-existent, because even if you play a clean solo, it's different with the Kryptonite... with the acoustic.
With 'Acoustic Soul,' I saw my music as sparse. But I didn't do that because I was making a commitment to be commercial. That's what made 'Acoustic Soul' so difficult to produce. It took 2 1/2 years because I couldn't figure out what I wanted and still be commercial.
Neighbors are far better acoustic analyzers for determining the quality of their life versus any acoustic instrument left unattended by an expert.
I'm very proud of all the bluegrass-oriented albums. It just reminded me and my fans that I should always record acoustic music and country records, along with anything else that I might want to do.
I collect as many acoustic guitars as I need for a specific purpose. Acoustic guitars are really just tools for me.
I've found that since I've been playing the acoustic, listening to a horn player has left me thinking, well, what can I do with that? But somehow piano players, I feel more of a connection to , now that I'm using the acoustic.
I'm probably a more intentional acoustic player than I am an electric player because of lack of influences. I just play acoustic to see what happens.
If I want to do an orchestral record, if I want to do an acoustic record, if I want to do a death-metal record, if I want to do a jazz record - I can move in whichever direction I want, and no one is going to get upset about that. Except maybe my manager and my record company.
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