A Quote by Jason Mraz
The studio and road both have their charms. The studio allows me to be a mad scientist and the tour lets me feel like James Bond.
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If you end up spending more time in the studio than you do on the road, that's not a good balance for me. Because I think when you're in the studio, you need to come off the road and go in the studio and that's when you're applying your best. That's when you've got the best attitude, best energy, all that stuff.
I just don't like my voice in the studio, and I just don't like the studio, I'm not a studio-head. And that's why you don't get so much material from me.
I was probably 15 when I started going to the studio with the older cats in my neighborhood. They heard me rap outside one time; I was just freestyling. And they invited me to the studio. It's good when you're accepted, no matter what crowd. That's the first step of believing you can do whatever you feel like putting your mind to.
I'm very critiqueful of my own stuff, and I kick everybody out the studio when I'm singing, no one is in the studio, it's just me and the engineers, no one else in the studio when I'm doing my thing.
I'm the type of person that doesn't like to wait for people to do things for me, and I never want to feel stuck. Why sit around and be like, 'I wish my label would book me some studio time,' if I can just buy my own studio equipment and figure out how to run Pro Tools and record it myself?
I function better in the jungle in Amazonia or Antarctica or Alaska or the Sahara desert. An artificial environment like a studio has never attracted me. I could work in a studio, but I would never really feel at home.
A studio is like a meditation room where music is created. And a live performance is the place where the creation of the studio is taken ahead. I love both.
I want to always be an interloper. I never want to feel like I'm a guy who is embraced by the people who are putting me on the air. I want to feel like I broke into the studio and took over and made them mad. If I'm not doing that, I'm not doing my job.
When I'm in the studio I often hunger for the road. And when away I long for the efficiency of the studio.
I'm not a guy to go in the studio and spend months, let alone years, like some people do. I cannot even be in the studio for a month, it will drive me nuts.
If they had offered me James Bond, I probably couldn't have gone to England anymore in my life. James Bond with an accent? That would have been something.
I hate studios. A studio is a black hole. I never use a studio to work. It's very artificial to go to a studio to get new ideas. You have to get new ideas from life, not from the studio. Then you go to the studio to realize the idea.
Sean Connery wasn't the Scottish James Bond, and Daniel Craig wasn't the blue-eyed James Bond. So if I played him, I don't want to be called the black James Bond.
Sean Connery wasn't the Scottish James Bond and Daniel Craig wasn't the blue-eyed James Bond. So if I played him, I don't want to be called the black James Bond.
It doesn't take a lot to get me motivated. I'm a studio rat. When I was in high school and I would walk into a recording studio, it felt like this magical place, this temple, this womb that I could escape into.
There's a lot of different parts to me, so it makes total sense to me that I would do a big TV show or studio movie and then do a free comedy show the next day. They both feel equally important to me.
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