A Quote by Jason Mraz
I'm not a virtuoso on an instrument. You know, I'm not always singing in pitch. I laugh sometimes my way through the shows, but I'm an honest songwriter who's always tried to bring the audience with me on my journey in hopes that they see their own lives reflected in the work.
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I tried singing. I tried playing a musical instrument. I really wanted to be a musician, but I never could quite pull that off. I liked entertaining, but I was always drawn to some kind of technical work - some kind of honest labor.
When you see me on the pitch, I will always be smiling, always laughing, always playing jokes. I grew up as somebody who was always laughing. In England, people will tell me that I should not laugh, but you cannot stop me from laughing. It's impossible.
That's what Brazilians are like - we're always having a laugh, we're always smiling, and my aim is to bring this spirit into the dressing room and onto the pitch, to play with a smile on my face.
The real Pogba is the one you see every time. You know, when I'm on the pitch, I cannot act. I'm not an actor. So when I'm in the pitch, I like to joke and laugh, and outside the pitch, I'm the same. For me, I'm normal. I come and play football. I do what I love.
Sometimes, reading my own media, the negativity can upset me, but I just deal with things on a positive basis. I mean, I have up to 20,000 people singing my words back to me on a nightly basis - they share my hopes and fears, and they relate to my own life experiences. Life can be pretty isolating, but that connection is always amazing.
I'm always trying to be the best, on and off the pitch, is also very important. I've always taken things very seriously, since I was very young, and that's reflected in my career. Always being nominated, winning trophies for the club or individual awards, that's the culmination of many years of dedication, hard work and professionalism and that makes me very happy.
The problem I've always discovered in my own work when this kind of thing happens when you hit the wall is there's almost always a reason. You've almost always made a mistake in the initial conception of the project. You misapprehended something or you thought something would work and now you're three quarters on the way through and you see that it doesn't work.
My first instrument was my voice. I was always singing and writing melodies when I was a little kid. I just sort of taught myself whatever was around. If there were instruments around, I'd play them. I always liked the idea of not being shown but coming up with my own energetic connection to the instrument.
I'm always my own worst enemy. I'm like, 'Every show's my last.' I'm a lunatic, but that's my own issue. If I had time, I'd spend it in therapy, let's be honest. But I don't, so I'll remain crazy. But the truth is, you want it to be good for the audience, TV Guide. Because a lot of times as a producer you put so much into your shows and when you see the network putting stuff into it too, it gets exciting.
Everyone goes through their own journey. Sometimes things can get hurtful. But sometimes too much intrusion of privacy can get to you, but I know that this is something that you cannot avoid. You know, being a woman, there have to be lines drawn somewhere. But I am the kind who accepts that this is my journey and I have to go through some amount of hurt.
Singing instrumental music is most important because, while you play an instrument, you are singing through the instrument... actually, you are singing inside.
Stars are always bigger. They bring the audience to the theatres. More than that, they do a lot of work in a film, and they are always on top. I am in no way competing with them.
"Born To Run," that expands every time we go out. It just seems to you - more of your life fills it in, fills in the story. And when we hit it every night, it's always a huge catharsis. It's fascinating to see the audience singing it back to me. It's quite wonderful, you know, to see people that intensely singing your song.
I've always just tried to make the audience laugh.
I don't have a favorite genre. I love to work and live vicariously through every character. It's all about trying to bring the character to life and get the story across in a way that resonates with the audience. It's always interesting and challenging in a gratifying and unique way.
I talk only about my journey because that's all I know. That's what the audience always pulls me back to. There's a hunger out there for the spoken journey, just to share the experience, the strength, the hope.
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