A Quote by Jason Mraz
Our shows are packed with laughter and light-hearted songs to lift the listener from their everyday life. We encourage the audience to participate in any way.
Related Quotes
Most of the shows that are offered to me have characters that are in the relatable space, mostly slice-of-life and light-hearted shows.
A vast silence reigned over the land. The land itself was a desolation, lifeless, without movement, so lone and cold that the spirit of it was not even that of sadness. There was a hint in it of laughter, but of laughter more terrible than any sadness-a laughter that was mirthless as the smile of the Sphinx, a laughter cold as the frost and partaking of the grimness of infallibility. It was the masterful and incommunicable wisdom of eternity laughing at the futility of life and the effort of life. It was the Wild, the savage, frozen-hearted Northland Wild.
People are always going to have favorite albums or songs and you know that's more the listener's personal bias than basing it on anything musical or actual. I'm the same way as a listener.
As actors, we do our best to keep things light and to encourage in the audience an openness to the changing atoms in the room.
I like the audience to be engaged with the numbers I am singing and do not repeat my songs at any of my concerts. There are thousands of songs that I have lent my voice to with so many other singers, so why bore my audience by singing the same songs?
I'm not a light-hearted person, so I can't think light-hearted at work.
We've gotten better as a live band. The songs have been allowed to grow with our audience. I don't think I would have done it any other way.
I would not exchange the laughter of my heart for the fortunes of the multitudes; nor would I be content with converting my tears, invited by my agonized self, into calm. It is my fervent hope that my whole life on this earth will ever be tears and laughter. Tears that purify my heart and reveal to me the secret of life and its mystery, Laughter that brings me closer to my fellow men; Tears with which I join the broken-hearted, Laugher that symbolizes joy over my very existence.
You can't write a thing that is hermetically sealed; there has to be a way for the audience to get in and participate. I think that's a massively valuable discipline for any artist.
We live in a society which is heading in one direction, so it's good to have at least a few friends who share the same values and can encourage us and help us to remember that we're not alone or peculiar, but that what we're doing is a very valid way of life. This will encourage us to put the Dharma at the centre of our life and not the periphery, to use our daily life as our Dharma practice.
Depression moods lead, almost invariably, to accidents. But, when they occur, our mood changes again, since the accident shows we can draw the world in our wake, and that we still retain some degree of power even when our spirits are low. A series of accidents creates a positively light-hearted state, out of consideration for this strange power.
Having not really written any generational songs - I think maybe two or three of the songs that I've ever written have any bearing on the age of the listener. My stuff tends to be far more concerned with the spiritual and with subjects like isolation and being miserable.
What we try to do with all of our albums, is live out our musical fantasies in the most honest fashion we know how...We want to include songs that lyrically cover subjects ranging from the heaviest things we've ever done to light-hearted experiences that can best be presented through sentimental bluesy ballads that are usually good for a chuckle or two.
I don't know if people come to the shows of the Raveonetteswith any certain expectations. I think that we have fans who know that we're not... hugely entertaining in any way. We don't put on a show, so to speak. We basically just play the music the way it's supposed to be heard - very loud, in a packed club, and in a good setting. People can stand still with their eyes closed, or they can dance. They can do whatever they want. We don't care.
Even though standup seems like one-way conversation, if you're doing it right, it's actually a two-way discussion between the comic and the audience... the audience just happens to be communicating through laughter.
The audience bursts into laughter. With the tragic gag I don't expect the audience to laugh (if they do, I have failed) but I expect a black silence from them that is almost as violent: as laughter.
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