A Quote by Jason Mraz

It's easier to write from my own life, and it's also more fun. I always write about relationships, for instance, whether they're romantic relationships, friendships, encounters... there's always a lesson to be learned from them.
When you write an album and you're writing about relationships, the stuff that I've been through in my relationships, 99 percent of it is really good, but it's that one percent that always inspires you to write a song.
I knew I could write infinitely about relationships. That's the most beautiful, most confusing, most rewarding, most heartbreaking thing in our lives - and not just romantic relationships: that's all relationships.
You need to experience life to be able to write about friendships, relationships, and heartbreak.
Plays are always about intense relationships, whether they're intense love relationships or family relationships or existential relationships.
I don't write about love because it makes for easy, passive heroes. I write about how love makes my characters more autonomous, more self-possessed, more opinionated and powerful. I write about characters who pursue relationships that make them the people they want to become. I write about love as a superpower.
The love story between the hero and the heroine has to be at the center of the book. I think that's pretty true in my books. I usually write a secondary love story, with maybe nontraditional characters. Sometimes I write older characters. I'm interested in female friendships, and family relationships. So I don't write the traditional romance, where you just have the hero and the heroine's love story. I like intertwining relationships.
It's easier to greenlight your own films when you're not surrounded by other people aspiring to make films. You have to work a little harder and rely more on yourself and your collaborators and the real relationships you have. There are so many hypotheticals that dominate the industry, and everyone's always waiting for someone else to tell them when to make a film and write a check and sign the talent.
I write and speak about personal and spiritual growth. One week I write about illness and another week I speak about relationships and another week I write about work and money and another week I speak to people with obesity issues. I write about whatever wounds seem to cry out for more enlightened solutions, and the love that heals them all.
You tend to write as you get older about family love more than you write about romantic love or ooh baby. ... The stuff that you want to celebrate about humanity has always been there and probably always will be.
I didn't want to be apologetic about my love story, and I think to be willing to write about love you have to be willing to sound foolish. I wanted to write about foolish and goofy love and different relationships. I wanted to write about interracial relationships in a way that does not pretend as if race does not exist.
In TV, you can really get into not only great characters, but also the relationships. There are all of the backstories and all of the relationships that you have with every person in your life, and the relationships those people have with each other. It's just more dense and there's more time to tell stories.
Parents don't get that, though. They don't understand about the fragility of teen friendships. They don't understand how easy it is for things to break apart, how someone you thought would be by your side forever can just disappear, or turn on you, or decide she likes someone more than she likes you. Parents always talk about romantic relationships being so ephemeral and fleeting in high school. What they don't get is that friendships can be the same way.
I think if you write about human relationships, you're always exploring the psyche and the soul. I don't separate certain - perhaps more extreme - things that people do from others.
I write about people who are usually damaged or neglected by society finding each other and forming relationships that are quite extraordinary and in some cases life-saving. I've had a few of those relationships, which I value highly.
The biggest lesson from Africa was that life's joys come mostly from relationships and friendships, not from material things. I saw time and again how much fun Africans had with their families and friends and on the sports fields. they laughed all the time.
The biggest lesson from Africa was that life's joys come mostly from relationships and friendships, not from material things. I saw time and again how much fun Africans had with their families and friends and on the sports fields; they laughed all the time.
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