A Quote by Jason Newsted

I don't want to grow up,' Tom Waits said it. I live it. I put myself in a position to be a kid as long as I want to. I play loud music and scream for a living. — © Jason Newsted
I don't want to grow up,' Tom Waits said it. I live it. I put myself in a position to be a kid as long as I want to. I play loud music and scream for a living.
'I don't want to grow up', Tom Waits said it. I live it. I put myself in a position to be a kid as long as I want to. I play loud music and scream for a living.
I haven't had a chance to decorate my dressing room yet, but I have these pictures of myself as a kid that I want to put up because I said, 'I really want to make sure that I take that kid with me on this journey.' I want him to experience this.
I have always said I want to work harder so I can develop, learn, grow, and improve. I love to play football, and when I come on the pitch, I want to do my best to help the team. It's up to the coach the position I play.
When I'm in the car sometimes it's like, 'Yeah, man, just put on the pop music.' You know what I mean? I don't want to listen to Tom Waits.
People tend to believe that I want to make soul music, which is not entirely untrue but, really, I want to be like the black Tom Waits - I don't want to make one kind of sound.
When they asked, 'What do you want to be when you grow up?' I said, 'I want to be a model and an actress.' They said, 'Why?' I said, 'Because I can look good and get paid to do it.' That's the kind of kid I was.
I want to look after myself and have a long-lasting career if I can. I want it in my hands and choose when I want to stop playing. I also want to be around for my kids to watch them grow up.
What I look for in music is artistry, sincerity, and simplicity, and Tom Waits has all of that. I want to make a connection to the creator.
Because that's the thing about depression. When I feel it deeply, I don't want to let it go. It becomes a comfort. I want to cloak myself under its heavy weight and breathe it into my lunges. I want to nurture it, grow it, cultivate it. It's mine. I want to check out with it, drift asleep wrapped in its arms and not wake up for a long, long time.
I heard Tom Waits in this kinky shop on Belmont Street in Chicago. Considering the way I was raised, they were such obscure voices, but their music saved my life - I didn't know who I was before I heard Bob Dylan and Tom Waits.
One of the things I learned very early on is you need to cast the kids for the characters you want them to play. They need to be who they are, right? If you want a loud, boisterous kid character, you need to find that kid.
I'd love to do a song with Tom Waits. Around when I was like 17 or 18, my buddy, D-Money, put me on the Tom Waits and I literally at that point got every one of his albums and kind of studied his music. I like that he provides an entire world for the listener. He's hopefully someone that I could vibe with down the line. I'm not sure how it would sound or even how it could work, but he's always been a huge influence.
Our first thought growing up was that we want to be together always so we didn't want to play the same position. You see a lot of twins play the same position because they are so alike. That was a big thing for us that we taught ourselves, and luckily it ended up paying off.
Am I in love? --yes, since I am waiting. The other one never waits. Sometimes I want to play the part of the one who doesn't wait; I try to busy myself elsewhere, to arrive late; but I always lose at this game. Whatever I do, I find myself there, with nothing to do, punctual, even ahead of time. The lover's fatal identity is precisely this: I am the one who waits.
I think retirement's for old people. I'm still in the business, thank you. I have a young child of nine years old, and I want to live as long as I can to see him grow up. I'm enjoying my life and I want to stick around for as long as I can.
To me living and music are all the same thing. And I keep finding out more about music as I learn more about myself, my environment, about all kinds of different things in life. I play what I live. Therefore, just as I can't predict what kinds of experiences I'm going to have, I can't predict the directions in which my music will go. I just want to write and play my instrument as I feel.
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