A Quote by Jason Patric

Pacino's always played the suffering prince. I just find that interesting. — © Jason Patric
Pacino's always played the suffering prince. I just find that interesting.
I played with Prince in 2010... the America tour. The one with Misty Copeland dancing on top of the piano! But Prince played the piano on that song. But I played two dates with him on that tour. When we played the gig, every couple of songs, Prince would change his clothes.
I find God in the suffering eyes reflected in mine. I will always seek God. Some people find God in church. Some people find God in nature. Some people find God in love; I find God in suffering. I’ve known for some time what my life’s work is, using my hands as tools to relieve suffering.
The world is full of suffering. Birth is suffering, decre- pitude is suffering, sickness and death are sufferings. To face a man of hatred is suffering, to be separated from a beloved one is suffering, to be vainly struggling to satisfy one's needs is suffering. In fact, life that is not free from desire and passion is always involved with suffering.
Especially when I first came up here to New York, everybody wanted to hook me up with this guy who's Prince's sound engineer. Almost everybody wanted me to hook up with him and go to L.A. and do all that just because that's the route Prince took. And for a while I was listening to all of that. "Yeah, if it's good enough for Prince, it should be good enough for me." But I mean, that's not the case, really. Prince is a different person than I am. You just got to find the right person for you, whoever you click with.
I've been enjoying showing the music I perform to these people who have not heard it before. I think it's kind of interesting in a scientific kind of way. I don't mind either way the outcomes of the shows I've played, I just genuinely find it interesting seeing people's reactions.
You know one scene I always think about is in 'The Godfather', when Marlon Brando's in the hospital. Al Pacino arrives there and enlists the help of the baker to protect his father. The two of them stand outside and the baker fiddles with a cigarette lighter, but Pacino's hands are rock steady. That's when we sort of realize that he can do this.
I am always saying, 'I don't believe in God; I believe in Al Pacino.' And that's true. If I ever get a phone call saying 'Would you like to work with Al Pacino?' I would go crazy.
I've never really presumed to know what my fans want or like. When I'm making the music, I just chase whatever I find interesting that day and luckily there are people who find it interesting as well.
Now this, monks, is the noble truth of suffering: birth is suffering, aging is suffering, illness is suffering, death is suffering; union with what is displeasing is suffering; seperation from what is pleasing is suffering... in brief, the five aggregates subject to clinging are suffering.
You might see Al Pacino at the grocers, but you would never go up to him and say, 'Oh my God, you're Al Pacino.'
Mature roles full of substance the kind played by Robert De Niro and Al Pacino - my favourite actors - is what I want to do.
I feel like it's always a good sign when you find yourself talking for hours about every topic ever. It's best when you just find the person interesting for no apparent reason.
There are quite some interesting roles. Just take my career for instance. I played a vivacious aerobics instructor in Porki.' In my Telugu debut Bava,' I played a lively girl from a village. In Udayan,' my Tamil debut, I played a soft spoken Brahmin girl.
It’s my own fault, really. For believing in fairy tales. Not that I ever mistook them for actual historical fact, or anything. But I did grow up believing that for every girl, there’s a prince out there somewhere. All she has to do is find him. Then it’s on with the happily ever after. So you can only imagine what happened when I found out. That my prince really IS one. A prince. No, I really mean it. He’s an actual PRINCE.
I'm selfish, I think. I think an artist has to be. I'm not worried about what people think. I play the parts that I find interesting. It'd bother me more to be just pigeonholed into doing what people think is ethical or that's boring to me. I don't pick parts with that in mind, I just find interesting stories. If it's interesting to me, then I do it.
I remember in the circus learning that the clown was the prince, the high prince. I always thought that the high prince was the lion or the magician, but the clown is the most important.
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