A Quote by Jason Patric
Training Day was such a Hollywood movie; I didn't like it.
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Training not only anchors my day but also allows me to tap into endless energy and intensity. Whether I was performing at Wrestlemania or shooting a 16 hour day on a movie set, training allows the floodgates to open. It carries me through the rest of the day and night.
I do not proactively approach Hollywood, but also I do not always turn down offers. But since I'm living as a movie director, I have a desire to shoot something like 'This is a Hollywood movie!' at least once in my lifetime.
My goal was always to be working on the biggest stage in the world: Hollywood. Even when I was doing 'The Bill,' I approached the work like it was a Hollywood classic such as 'Training Day' or 'Boyz n the Hood.' So to have worked with some of the greats I've admired, such as Forest Whitaker, Kathy Bates, Cuba Gooding Jr., etc., it warms me.
Rome is magic, it's like being in Hollywood. But the difference between Hollywood and Rome is that here you don't have just the movie business. The movie business is so little, so you also have the choice to hang out with people who do different kinds of business.
I don't know what the misconceptions are, but I approach a small budget, artsy, independent movie in the same way as a big budget, commercial Hollywood movie. I don't get into those [details]. I have to get into my character and I concentrate on that, on the story, on researching, and on certain training if I have to be prepared physically. I think that's the most important thing.
I was going to direct the movie 'Training Day', and I got fired. Denzel Washington didn't want me to direct the movie.
I love 'Training Day' - that's a great movie.
Working with David Cronenberg or Darren Aronofsky or even Steven Soderbergh isn't really like a typical Hollywood movie. These are true artists, and have a certain amount of freedom when they work, and they're more like independent filmmakers making their way through big studios. I still don't feel like I've been part of the stereotypical Hollywood system.
I would like to have a movie under my own control sometime, and see what could be done with it. Who knows? Maybe Hollywood will make an improvisational movie someday.
To me, I approach a small-budget, artsy, European movie the same way as a big commercial Hollywood movie. That's the most important thing. Hollywood usually represents this big dream in people's minds, but to me, it's just hard work.
It's like Hollywood movie stars - you can say they lead a glamourous life, but it's a lot of work. They're on set for 16 hours a day, then they go home and they still study. They have a nice paycheque at the end, but they do work a lot. WWE is very much like that.
It's like one of those scenes from a feel-good Hollywood movie. Where everybody is happy and nobody's hair fizzes in the wind. Where it doesn't rain, your shoes stay comfortable all day, and everybody's jokes are funny.
Why does everyone like this movie? And Americans kept going to the movie. So Hollywood figures out the market, and the market wants to know what happened in Benghazi.
I remember doing one day of work, and I was so good I ended up doing 25 days on that movie. And all of it ended up on the editing room floor. That was my first Hollywood lesson: Just because you filmed a movie doesn't necessarily mean that you're in it.
One day, you're a nobody, and the next, you're in a movie that everybody is talking about. But Hollywood has a way of knocking you back down to Earth.
You have to throw yourself into a situation of trust with these things, especially that first day when you don't know someone and you're on a massive Disney Hollywood movie set.
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