A Quote by Jason Pierce
I think it's essential to make new music now, and to try and make epic records now, and not rely on what happened in the past.
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I try to take a snapshot of who I am now, who I am becoming, as opposed to who I was when I was first starting to make records. I'm not trying to make boring adult music, but I try to make music more reflective of what matters to me now.
You are now at a crossroads. This is your opportunity to make the most important decision you will ever make. Forget your past. Who are you now? Who have you decided you really are now? Don't think about who you have been. Who are you now? Who have you decided to become? Make this decision consciously. Make it carefully. Make it powerfully.
The future hasn't happened yet and the past is gone. So I think the only moment we have is right here and now, and I try to make the best of those moments, the moments that I'm in.
It was part of a financial situation. I could only afford records in thrift stores. Then you could find wonderful things, but now everything is a collectible. I like the recycling idea --using the stuff that people don't want anymore, and make new music out of it. There was an element of looking back and listening to your parents' records and doing something with that stuff. Sort of acknowledging the past while rejecting it at the same time.
As far as my single selections, over the years it's been a very essential part of my survival tactic, but I have no problem being able to jump on records with whoever people think is the rawest rapper in the game or number one or King or whatever they wanna name themselves, to be honest with you. It doesn't affect me, 'cause that's what I come from; I'm comfortable in that zone. But I don't wanna make hood music, I don't wanna make street music, I want to make world music, global music, international music.
We're in a situation now where we've got five long-play records of sort of eerie psychedelic pop music. I don't think that we can make another one. That's really my position on it. If we were to do a film soundtrack or something else where I could take the rest of the band with me. I really don't think bands should make more than five records anyway. In fact, five is one too many. We'll have to see how it pans out.
With most electronic music I hear now, the things I like will be the things that have soul. It has to have a feeling in it, where it feels warm, or feels epic. I like to play with that in my music as well, there will always be a piano chord or something underneath it to make you feel at home. I always try and make sure even with vocals and layering that you still feel like you know me, no matter whether you're into grime or hip hop.
I have more perspective now, and am happier now. It's not that I don't want success, but I now know I can have success at a lower level and make much more money doing it by myself. I make $6 or $7 bucks a record vs. nothing off those other records.
The Beatles are now history, and it would be unhealthy to try to make my way as a former member. I must admit I occasionally listen to our records, but usually it's not deliberate. I'm more concerned with the present, with working out my own individual style and producing something new and worthwhile.
I think some people record songs and make records a certain way to cater to radio. If you're born to make commercial music that's cool. But if you're born to not make commercial records, maybe you're meant to cater to another market.
Make up your mind that nothing is more important than how I feel now, because now is everything. Now is the whole enchilada. Now is the power of me. Now, now, now, now, now... You might as well start somewhere, and it might as well be now. Why not start improving your life now, now, now?
With the way music is going right now, it's difficult for an r&b singer to make real music. If it's not with a trap beat and you're not mumbling, no disrespect to all of the great artists out there doing what they're doing, I'm not hating, I'm just saying it's difficult for r&b singers right now to make quality music.
You have to be able to say, OK, that happened back then. Now let's take it from here and see what happens. It would be very easy to hate people for the rest of your life, and some people have done that. You've got to deal with what's happening now and try to make things better.
I think to try to make new music and new ideas, you have to push the boundaries of existing music.
I think it's very disheartening and undermining to focus on nostalgia or youthful sentimentality as the lens through which you view art and culture, because then you feel like everything good already happened. I really just try to be in the present with music and just find the things that are invigorating and make me feel happy to be alive right now.
I have to listen to music while I'm working. Music is essential. It's at the top of the pyramid for me. I've always felt disappointed in what I've made when I held it up to the music I love. I try not to compare them now.
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