A Quote by Jason Ralph

Magic is really difficult to learn, and it requires sort of a fanatical eye for detail. — © Jason Ralph
Magic is really difficult to learn, and it requires sort of a fanatical eye for detail.
Attention to detail is crucial in my roles as a real estate developer and principal of a lifestyle brand. Fine jewelry is especially intricate and requires a very well trained eye.
I can act with either eye, but you've got to be twice as good as an actor to act with one eye. You need to put all your emotions just through one eye and really punch it out of that eye. I found it quite difficult to do at first, and then I found a technique that allowed me to act with one eye, which I patented.
Growing up, yeah, I had a magic kit with learn tricks and learn card tricks, but I was never... I used to watch whatever magic special was on as a kid, but then, it's not that I lost interest, but to be a magician, you really, it's really hard work. Learning lines is hard enough; learning sleight of hand, that's real practice.
Crossing out is an art that is, perhaps, even more difficult than writing. It requires the sharpest eye to decide what is superfluous and must be removed. And it requires ruthlessness toward yourself -- the greatest ruthlessness and self-sacrifice. You must know how to sacrifice parts in the name of the whole.
I don't have a great eye for detail. I leave blanks in all of my stories. I leave out all detail, which leaves the reader to fill in something better.
Learn from cinema. Be economic with descriptions. Sort out the telling detail from the lifeless one. Write dialogue that people would actually speak.
I always tell up-and-coming DJs you have to really love what you do and find that interest to drive you. It requires so much attention to detail, and it takes up a lot of your time. You hear a song, and there are so many little pieces that make that song work. It requires a lot of patience, diligence and resilience.
There are 3 kinds of magic in our world. The peddling little magician magic like Uncle Andrew in 'The Magicians Newphew' where people mess around with things they don't understand. It's movie magic. Then there is the magic of the evil side of things. The demonic forces. And that's not really magic... it's corruption of what really exists. And then finally there is the magic of the Holy Spirit of God which is the creation and maintenence of the universe. We don't understand it... and we haven't the faintest idea how He does it. But it's real. That's the deep magic.
In moviemaking, you learn to pay attention to detail, because so much is in the detail. And when you're shooting, you try to be very alert to what's going on, even if you're tired.
The Demon character is something I draw on occasion. It's something that requires a lot of focus to tap into and really requires the right situation for me to sort of draw on that darker side of my personality.
Of all the questions I'm asked, the most difficult is, "How does it feel to be famous?" Since I'm not, that question always catches me with a feeling of surrealism....I've got three kids and I've changed all their diapers, and when it's two o'clock in the morning and you're changing something that's sort of special delivery with one eye open and one eye shut you don't feel famous.
I miss the newness of Magic Eye posters, which really are amazing.
Comedy historians take note: this Gottfried character doesn't have the best eye for detail - and, for a Jew, he doesn't have the best eye for retail, either.
Life requires things from you - if you're really living it and are really alive - that are really difficult and painful, and you can't avoid those things if you're really participating.
The thing about Stephen Schwartz is that, while it may be difficult to learn - it's a little bit like[Stephen] Sondheim; Sondheim is quite difficult to learn - but, once you have it in you: it never leaves you. It becomes some of your favorite music; it really does.
To see the angel in the malady requires an eye for the invisible, a certain blinding of one eye and an opening of the other to elsewhere.
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