A Quote by Jason Ralph

I actually have a theater company called Strangemen & Co. I'm the artistic director and co-founder. — © Jason Ralph
I actually have a theater company called Strangemen & Co. I'm the artistic director and co-founder.
I'd grown up doing children's theater there, and I always imagined myself being artistic director of a children's theater company.
Obviously solving the education problem is big and complex, and there's already so many failings, but coding is the new fluency. This is the most valuable skill of this century. If you want to be a founder of a company, and not even just a tech company, but like a founder of a company, because I'm telling you software is going to play a role.
My first time acting for camera really was for Steven Spielberg in War Horse. I was trained in theater and I was actually working in theater at the time. I had a small role with the Royal Shakespeare Company, which is a huge prestigious theater company back in England. I honestly thought that was as good as it got.
I was the music director at a dinner theater called the 'Pheasant Run Theater' in the suburbs of Chicago, and that was my side gig while I acted.
I feel that the best companies are started not because the founder wanted a company but because the founder wanted to change the world... If you decide you want to found a company, you maybe start to develop your first idea. And hire lots of workers.
It wasn't until many years after 'The Waltons' when I had gone back to theater that I had the opportunity to take on a role within a theater company as a writer and director. I found to my surprise that I really enjoyed it as well.
I was first hired at Staples in 1992, by company founder Tom Stemberg and eventual CEO Ron Sargent, to be the first director of marketing and merchandising for the catalog business.
I want to get into the theater. I really wanted to be a theater director, but I turned out to be a movie director.
I worked at the Northlight Theater in Skokie, and the Mercury Theater on South Port. I actually did a show there for three years, called 'Over the Tavern.'
A casting director who'd cast me in 'Assassins' sent a video to Kevin Reynolds, the director, and Mel Gibson, whose company is producing '187.' Then I went in and auditioned, and a few hours later, they called me.
A founder is the emotional energy aorta of a company. The energy that emanates from a founder attracts people and capital to the endeavor. When that energy goes away, it can feel impossible to do the job.
I went to university in the north of England at University of Birmingham to do an English literature degree, and I knew I could do extracurricular stuff with theater and drama. I started a theater company, called Article 19, and I did it with a bunch of friends. I wrote and directed plays. I had a radio show.
I still get called 'a stick of dynamite' or 'pint-sized dynamo,' stuff like that. Actually, I was too busy to notice there was anything unusual about being a woman director until the early 1980s, when I looked around the professional theater and realized there weren't many of us. You have to make more of a case for yourself than any man.
As you may know, I'm the co-founder and co-chairman of an asteroid company called Planetary Resources that is backed by a group of eight billionaires to implement the bold mission of extracting resources from near-Earth asteroids.
Pishevar, co-founder and managing director of Sherpa Capital, is a powerful figure in the Valley and a bridge to establishment figures on both coasts. He cultivated a relationship with Uber co-founder Travis Kalanick and publicly came to his defense when he was ousted as chief executive officer and sued by another investor.
In the commercial theater, I've been pretty fortunate. The producers that I've worked with have allowed me to define the artistic integrity, the artistic limits of the work.
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