A Quote by Jason Reynolds
It wasn't that the teachers were bad. From what I can remember, they were pretty good. It was about the selection of books. It was about not seeing my young life reflected back to me: my family dynamics, the noise and complexities of my neighborhood, the things I loved, like ice cream trucks and Kool-Aid.
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I always wanted to have a young female artist that would tell me the truth about life and not only talk about the good things or the things that were exciting or interesting but also talk about the things that people in general are skeptical to talk about- the bad things that do happen. A good 50% of our lives is things that are happening that we're not necessarily super thrilled about and I feel like that's missing from pop music a lot of the time so my main goal is to be truthful about everything and not just specific things.
I usually take the first batch of some ice cream, eat it, and then about an hour later, at halftime of the Sunday night game, I go after a second serving. So I pretty much get a whole gallon of ice cream Sunday night. It's pretty bad.
My father's family were Italian ice cream men, and the knowledge was passed on, so I ran an ice cream van while I was dating my wife.
We were like the Beatles, Dad.' 'I know you think that, sweetie' 'Seriously. Mom is John, you're Paul, I'm George, and Ice Cream is Ringo.' 'Ice Cream,' I said. 'Resentful of the past, fearful of the future...everytime we saw Ice Cream sitting there with her mouth open, we'd say, Poor Ice Cream, resentful of the past, fearful of the future.
Looking back, I remember my family laughing a lot. We were never the kind of people that dwelled on hard times. My family laughs when things are tough. Growing up like that, I got used to making jokes about things that were difficult. So when I started doing stand-up, that's what I went towards.
I came to realize that I was always looking for myself in the women I loved. I looked at their lovely, clean faces, and saw myself reflected in them. They, on the other hand, looked at me and saw the dirt on my face and, however intelligent and self confident they were, they ended up seeing themselves reflected in me and thinking that they were worse than they were. Please don't let that happen to you.
I ate apple pie and ice cream—it was getting better as I got deeper into Iowa, the pie bigger, the ice cream richer. There were the most beautiful bevies of girls everywhere I looked in Des Moines that afternoon—they were coming home from high school—but I had no time for thoughts like that…So I rushed past the pretty girls, and the prettiest girls in the world live in Des Moines.
Because of the dynamics on the picket line all my life, I had these expectations of people. It was all the things that I had learned about outsiders from the time I was tiny, that they were evil, that if they were being nice to me they were trying to seduce me away from the truth.
What I felt at that time - we're talking about '61 - was that I couldn't remember seeing a film that reflected the age we were living in.
When I went home, my family became a little lonely family because it was just me and my mom. Part of my longing to go back to work was wanting to be surrounded by these people who were teaching me things and drinking bad coffee at three in the morning while we were lying around in a bikini in the winter. Somehow it just felt like real life. It felt more like real life than my life.
I actually think the same things do make most people happy. The differences are extremely small, and around the margins. You like peach ice cream; I like strawberry ice cream. Both of us like ice cream much better than a smack on the head with two-by-four.
It was just music all day... My neighbors were musicians, and my brother and my family and everybody... It was just a musical neighborhood. I think the neighborhood was such a good family type of vibe for me that I didn't even realize some of the people weren't my real family till later on in life.
There were the physical challenges of hitchhiking across Turkey, Iran, Afghanistan, and Pakistan as they were quite dangerous areas. I wrote about that in The Journey Home. I loved my family and they loved me, so making a choice so completely different from the life they knew was also a challenge. Not having material possessions or the security of a home and taking vows of celibacy for life were kind of natural for me, although they were also challenging. But I guess the greatest challenge for me was that I loved so many different spiritual paths.
Public school teachers in Long Island, New York, saved my life in the '70s. They were involved and invested and helpful. One took me into her family and loved me back to life. She taught me that love is not formed and families are not formed by blood. That love makes a family.
I had some great music teachers who were men, but I think there's something about having these master teachers who were women in my life. That's very meaningful to me and you see it in my work. I write a lot about matriarchs and the pain of it, the beauty of it, the burden of it, the love of it.
You know, growing up, I lived in a neighborhood in Long Island where there was basically one black family. And I remember hearing all the parents and the kids in the neighborhood say racist things about this family.
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