A Quote by Jason Ritter
I knew I really made it when my dad saw me in London and after the performance he had no notes to me and just said 'You are doing your own thing and I am proud of you.'
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I never really saw my dad around when the Iron Maiden and the AC/DC were playing. But he knew what I was doing. I was just absorbing music. So he just kind of left me to my own devices.
I stole your childhood and now I’ve led you by the hand to your death. But the worst thing is, I knew. I knew this would happen. This is what always happens. Forget your faith in me. I took you with me because I was vain. Because I wanted to be adored. Look at you. Glorious Pond, the girl who waited for me. I’m not a hero. I really am just a mad man in a box. And it’s time we saw each other as we really are. Amy Williams, it’s time to stop waiting.
I remember after a year in London, I was at an MTV party and a friend saying to me that it was such a brave thing to do to come over to London by myself. I never thought it was a big deal. It was my dream. I am so independent. It is just ridiculous. I am too independent for my own good.
My dad took me to see James Brown live, and that's so cool, cause I don't think many people my age can say they saw James Brown. I'm pretty proud of that. That's the thing about me that no one really knows. I had to have been 6 or 7, but I remember it vividly.
Growing up, my dad would be gone a lot. But I knew what he was doing, and I wanted to one day enjoy that. When I saw how tired he was when he got home, that, in a direct way, prepared me and made me realize what a tough business this is.
When I finished high school, I didn't have much direction - I was a Deadhead kid who ended up bumming around London seeing a lot of theater. That's where I saw the performance that made me want to act: Vanessa Redgrave doing 'A Touch of the Poet.'
I have to tell you, a few people had very controversial feelings about what I was doing with Gucci at the beginning, and now, after a couple of years, they are changing their minds. I want to give journalists the time and space to know me and what I'm doing better. But it's not a priority for me. At the end of the day, I am not an artist; I am not doing a performance; I'm doing things that need to be sold. And I know my job.
'Crash' came from personal experience. I saw things inside me from living in L.A. that made me uncomfortable. I saw horrible things in people and saw terrible things in myself. I saw a black director completely humiliated, but the three people around me just thought it was funny. 'No,' I said, 'that is selling your soul.'
Eventually I came across another passage. This is what it said: I am not commanding you, but I want to treat the sincerity of your love by comparing it to the earnestness of others. The words made me choke up again, and just as I was about to cry, the meaning of it suddenly became clear. God had finally answered me, and I suddenly knew what I had to do.
So I won an Oscar. It's amazing. I've got that for the rest of my life for a performance I am proud of. It nearly killed me. I am really proud of the film. That's it, moving on.
I started working for my dad - he had his own company in carpet upholstery cleaning. I was doing whatever he said. It was hard work, it made me grow up and realize that it's not what I wanted to do.
I'm not ashamed to say that I want to be good. And I've found in my life that it has been critically important to establish this intention between me and the Lord so that I knew that HE knew which way I committed my agency. I went before Him and said, 'I'm not neutral, and you can do with me what you want. If you need my vote-it's there. I don't care what you do with me and you don't have to take anything from me because I give it to you-everything. All I own. All I am.' And THAT has made all the difference.
I had always wanted to make music on a big scale but never knew how it was going happen - until I saw a band in Oslo called Bridges. I was stunned. They had everything. The only thing they didn't have was me. I knew I needed to join, not for my own sake but for the band's. I knew I was a necessary ingredient.
It was Labor Day weekend in 1983, and Dad hired me to run Mick's Lounge, a bar he co-owned, for $200 a week. The business was nearly bankrupt. But I said, 'Dad, I can fix it.' It was the most natural thing I'd ever done. It just made sense to me.
You're the hero of your own story. So it's interesting for historical revisionism to happen. I had let go of my own story from my own childhood and whatever anger I had and I began to see it from a very different place. It's really easy to be like "This thing happened to me! Look what they did to me or are doing to me." These are such powerful ideas and it's so easy to hold onto them forever.
I posted a video a day for almost two months and was hardly sleeping, but I think it really pushed me to give music everything I had in me. I knew it was a chance I couldn't miss. The funny thing is I never saw my music video when it aired during the Super Bowl because as soon as I heard my song start I was in tears for the next 10 minutes! The most amazing thing that came out of all of this, however, was the support that had developed online. Without the people that came back day after day to vote for me, I'd be nowhere, and I really owe it all to them.
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