I felt him there with me. The real David. My David. David, you are still here. Alive. Alive in me.Alive in the galaxy.Alive in the stars.Alive in the sky.Alive in the sea.Alive in the palm trees.Alive in feathers.Alive in birds.Alive in the mountains.Alive in the coyotes.Alive in books.Alive in sound.Alive in mom.Alive in dad.Alive in Bobby.Alive in me.Alive in soil.Alive in branches.Alive in fossils.Alive in tongues.Alive in eyes.Alive in cries.Alive in bodies.Alive in past, present and future. Alive forever.
The success of 'Scrubs' allowed me to pursue anything I felt passionately about without having to worry about money. It allowed me to spend my summer work shopping my show at a nonprofit theater.
The person whose work introduced me to the craft was Lorraine Hansberry. The person who taught me to love the craft was Tennessee Williams. The person who really taught me the power of the craft was August Wilson, and the person who taught me the political heft of the craft was Arthur Miller.
My family encouraged me to paint, but I was never allowed to go to the theater. Naturally, this made me interested in the theater.
It's the only thing that allowed me to win so many championship fights and allowed me to put up with the bigotry of the media, the keyboard warriors, the critics. I've endured it all because, spiritually, I am buoyant, alive.
It still amazes and fascinates me that women of color have kept my work alive for these many generations.
Writing has always allowed me to escape. I was a very lonely child. Because I was very socially awkward, I would always have trouble making friends. And so reading and writing allowed me to have friends and to have an active imaginary life that really sort of kept me sane.
I didn't want to give up my career. That's what kept me alive, kept me going. I couldn't stop - didn't want to stop - being all these different characters.
We learned out craft. Acting is a craft and you must learn it. I see a lot of talent today in the kids but they don't know how to work. They don't know the craft of acting and you can only get that on the stage in theater. You cannot learn how to act in movies or in television.
It was never my dream to be famous. I didn't start acting to be a movie star. I started in the theater and my desire was to get better at my craft. It's still my desire. I don't consider myself a movie star, nor do I really have the desire to be one. I'm just an entertainer. An actor who works hard at his craft. Whatever labels people give me, that's not really me or part of my process.
In terms of theater itself, no story is too strange or method of telling it too impossible these days. In many ways, musical theater has caught up with straight theater in that it's allowed more surreality and breaking of form, and that's really exciting to me - the challenge is getting people to produce those shows.
My whole family has been such a great support, and they're the ones who have kept me grounded and allowed me to be who I am today.
In the commercial theater, I've been pretty fortunate. The producers that I've worked with have allowed me to define the artistic integrity, the artistic limits of the work.
My whole family has been such a great support, and theyre the ones who have kept me grounded and allowed me to be who I am today.
Raymond Floyd. The man knows how to control situations. He was experienced. He didn't let me get overly excited; he kept me in check. It allowed me to free myself up, and I played really well with him.
When you do television, you're filming out of sequence sometimes. You have to ground yourself very quickly in the character and in the work and in the words. I think theater allowed me that sort of sharp, quick focus to do that.