A Quote by Jason Robards

I go to the theater and dream. You learn your lines, and that gives you the security to allow the imagination and heart to come out. — © Jason Robards
I go to the theater and dream. You learn your lines, and that gives you the security to allow the imagination and heart to come out.
Never, and I mean never, allow anyone else's ideas of who you can or can't become sully your dream or pollute your imagination. This is your territory, and a 'Keep Out' sign is a great thing to erect at all entrances to your imagination.
Practice your improv more than learn your lines. 'Cause there's no way you'll be able to learn all those lines in a short time. You have to realize what you know and what you don't know - and what you don't know, just come up with three alternate lines or improv that you can put in that spot.
You have a dream 35 years ago - doesn't come to fruition, but you move on with life. But it's somewhere back there. Then you turn 60, and your mom just dies, and you're looking for something. And the dream comes waking out of your imagination.
Theater is a physical activity as much as anything. It's harder for me to learn the lines than it was 30 years ago. At the same time, I'll never quit working in the theater - until I can't memorize two lines back to back.
It's all authentic. It's a great story. You have a dream 35 years ago - doesn't come to fruition, but you move on with life. But it's somewhere back there. Then you turn 60, and your mom just dies, and you're looking for something. And the dream comes waking out of your imagination.
There is no need of a way out! Don't you see that a way out is also part of the dream All you have to do is see the dream as dream. ...Wherever it leads you, it will be a dream. The very idea of going beyond the dream is illusory. Why go anywhere Just realize that you are dreaming a dream you call the world and stop looking for ways out. The dream is not your problem. Your problem is that you like one part of your dream and not another. Love all, or none of it, and stop complaining. When you have seen the dream as a dream, you have done all that needs be done.
Stop being so fruitlessly busy and dream. Use your imagination. Reach out into the unknown and dream of how you can enlarge your experience and improve your mind and your soul and your world.
My father used to tell me that stories offer the listener a chance to escape but, more importantly, he said, they provide people with a chance to maximize their minds. Suspend ordinary constraints, allow the imagination to be freed, and we are charged with the capability of heighetned thought. Learn to use your eyes as if they are your ears, he said, and you become connected with the ancient heritage of man, a dream world for the waking mind.
The dream God gives you guarantees, no matter what it looks like now, when it’s all over, your dream will come to pass.
For me this was never a money issue, it was about being rich in your heart. To come home, and to be in the place where your dream first started, 15 minutes away from where my grandfather built my first basketball court, is a dream come true.
I go out very rarely in Paris. If it's a fashion party at a nightclub, I wouldn't dream to go. People come to you for your work, not because you go to all their parties.
Dreams make you click, juice you, turn you on, excite the living daylights out of you. You cannot wait to get out of bed to continue pursuing your dream. The kind of dream I'm talking about gives meaning to your life. it is the ultimate motivator.
Imagination helps you to recognize the reality of facts, but then to go beyond them, to penetrate beneath them, to rise above them in your search for creative answers to problems. Imagination "stirs up the gift of God in thee." Through your imagination you touch and express the inspiration of the Infinite. Imagination, in the words of Shakespeare, "gives to airy nothing a local habitation and a name." You reach into the heavens to grasp an idea, then you bring it down to earth and make it work.
Your work isn't just to learn and say the lines. Your work is to figure out what the chatter in your brain is, that's going on under the lines. It doesn't matter whether you're speaking or not speaking because your mind is working the way your character's mind would work.
Be true to your heart, and if you're passionate about your dream, work towards it but don't allow your idea of how you think it should manifest prevent what's actually unfolding from happening.
Actors and writers need to come back to the theater because it's a place where you can learn. You have to pay your dues, and people who haven't paid their dues in the theater, I think, have a hard time creating a whole career.
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