A Quote by Jason Robards

To be true to a play, you can't add something that takes away from the author's intent. — © Jason Robards
To be true to a play, you can't add something that takes away from the author's intent.
Sometimes the reader will decide something else than the author's intent; this is certainly true of attempts to empirically decipher reality.
When you want to put something into your part that is not in the play, you must ask the author-or some other author-to lead up to the interpolation for you. Never forget that the effect of a line may depend not on its delivery, but on something said earlier in the play, either by somebody else or by yourself, and that if you change it, it may be necessary to change the whole first act as well.
Looks can’t hide your true identity. It’s the eyes that give you away…the soul behind them. The intent. The Shadows.
There's so much written about my family, some true, mostly not true, and I felt that it's not something I want to add to.
There's a knee jerk reaction in Washington when something isn't perfect to just add more money, add more personnel, it'll all be OK. That's not true, especially with complex issues like veterans health care.
The anxiety I get more when I'm not working. So actually work, for me, takes away my anxiety, and doing live TV, in that moment when you're consumed by something else, it takes away all of my thoughts. It distracts you!
It's like an act of murder; you play with intent to commit something.
It's like an act of murder - you play with intent to commit something.
God doesn’t take things away to be cruel. He takes things away to make room for other things. He takes things away to lighten us. He takes things away so we can fly.
When we listen with the intent to understand others, rather than with the intent to reply, we begin true communication and relationship building. Opportunities to then speak openly and to be understood come much more naturally and easily.
An object imbued with intent - it has power, it's treasure, we're drawn to it. An object devoid of intent - it's random, it's imitative, it repels us. It's like a piece of junk mail to be thrown away.
An object imbued with intent — it has power, it's treasure, we're drawn to it. An object devoid of intent — it's random, it's imitative, it repels us. It's like a piece of junk mail to be thrown away.
One of the things I love about jazz music is that intent is first and execution is second. In classical music, execution is first and intent is second, meaning that you must first learn a piece before you can truly add your interpretation to it.
I do not hold that because the author did a bad job of writing the player need trump it with the same kind of acting. When I go into a picture I have only one character to look after. If the author didn't do him justice, I try to add whatever the creator of the part overlooked.
A character takes shape in the act of writing. You start with something, and you add or subtract.
That said, let me add that Joan and I never want him to be a child actor. We both feel that it takes away their childhood and puts untold pressure on children.
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