A Quote by Jason Robards

I don't want actors reasoning with me about 'motivation' and all that bull. — © Jason Robards
I don't want actors reasoning with me about 'motivation' and all that bull.
In fighting a bull you're always aware of a paradox concerning your perceptions of the bull. On the one hand it's your perceptions of the bull that give you the upper hand. You read the bull, you learn to read the bull more and more accurately, and this reading of the bull is how you deploy your intelligence against the bull's intelligence. Your accuracy in reading the bull is a weapon, maybe your most important weapon, against all the bull's weapons. On the other hand, you're human, you have the human tendency to read into the bull things which may not actually be there.
The deep paradox uncovered by AI research: the only way to deal efficiently with very complex problems is to move away from pure logic.... Most of the time, reaching the right decision requires little reasoning.... Expert systems are, thus, not about reasoning: they are about knowing.... Reasoning takes time, so we try to do it as seldom as possible. Instead we store the results of our reasoning for later reference.
The motivation is important for me to act it, but I don't necessarily want the audience to know my motivation.
Actors always ask their directors what their motivation is in this scene or that scene, so I've always had this joke where I ask the director what my motivation is too. As a stunt person your motivation is usually to fall over a bench or something.
Fitness for me is a passion. Yes, my profession demands it, but that works more as motivation for me. And, like I get motivated by looking at pictures of Bollywood or Hollywood stars with fab bodies, I want others to take that motivation from me.
Don't worry about motivation. Motivation is fickle. It comes and goes. It is unreliable - and when you are counting on motivation to get your goals accomplished, you will likely fall short.
If there's anything I know about directing, it's how to make actors comfortable. It's where I started and it's what I know, and it's what I love. I like when the actors are really partners and I want them to be excited and I want them to surprise me. I don't want them to be puzzle pieces.
We used to have a bull. A real bull. At that time, Jennifer Lopez was my neighbor. God bless her, she took it. But other neighbors did not like it, that we have a bull.
The least amount of info actors get, the better. Actors are always like, 'What is my motivation for this?' You didn't write it. Just say the lines.
There's an intelligence that goes with being a good cop. Intuitiveness - they have to be actors; they have to have deductive reasoning, knowledge about a great deal of subjects.
Motivation remains key to the marathon: the motivation to begin; the motivation to continue; the motivation never to quit.
I don't want to know about the lives of other actors and I don't want people to know too much about me. If we don't know about the private lives of other actors, that leaves us as clean slates when it comes to playing characters. That's the point, they can create these other characters and I can believe them.
Once you've got a bull terrier, you never want another dog. I've got six bull terriers, a rottweiler and a bulldog.
I don't want to know about the lives of other actors and I don't want people to know too much about me. If we don't know about the private lives of other actors, that leaves us as clean slates when it comes to playing characters. That's the point, they can create these other characters and I can believe them. I think if you're a good enough actor, that's the way to longevity in the film business. Keep everybody guessing.
In southern Spain, they made me eat a bull's testicles. They were really garlicky, which I don't like. I prefer to take a bull by the horns, not by, um...
If Kubrick made me love forever the film language, Scorsese made me love actors. And 'Raging Bull' is my favorite male performance ever.
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