A Quote by Jason Schwartzman

What I think is so great about interviews, is when people cite inspirations. — © Jason Schwartzman
What I think is so great about interviews, is when people cite inspirations.
To write fiction, one needs a whole series of inspirations about people in an actual environment, and then a whole lot of work on the basis of those inspirations.
When people ask about inspirations, and you're like 'oh, it was a flower or a mountain or a pony', some people just think you're insane. I'm worried to come across that way.
For business, government, and education, the lesson is clear: People ought to be relying far more on objective information and far less on interviews. They might even want to think about scaling back or cancelling interviews altogether. They'll save a lot of time - and make better decisions.
I have a great affection for people who are intellectually engaged with the world, and who don't treat everything superficially. And I think, when people talk about nerdiness, what they're really talking about is smart people who who are trying to think hard about the world. And I don't think that's an insult, I think that's a great thing.
I think people enjoy reading about money, but the people who are in charge of giving me guidance tell me not to talk about it in interviews. Why not? That's what everybody thinks about.
People always ask about my influences, and they cite a bunch of people I've never heard of
People always ask about my influences, and they cite a bunch of people I've never heard of.
Think about all the great leaders. Think about Obama. Think about Clinton. Think about Nelson Mandela. Think about all the people that we know who are very successful in business, in politics and religion. What are they? They tell purposeful stories. They move people to action by aiming at the heart.
People say, 'Why don't you do interviews? What do you think about this? What do you think about that?' My job in the band is to play drums, to get up on stage and hold the band together. That's what I do. At the end of the day that's all that's important. Everything else is irrelevant.
It's not like I think my art is inspirations from icons strung together. They're just sort of people who others talk about. I am definitely interested in the masters of different genres, they're talented and popular for a reason.
I think that readers believe that a writer becomes friends with the people he interviews and writes about - and I think there are some writers who do that - but that hasn't happened to me. I do think it's dangerous because then you write the article to please them, which is a terrible error.
The thing I love about political interviews is, if you're really prepared, you can make great headway because these are the people for whom, theoretically at least, the buck stops.
Post Malone is one of my biggest inspirations. I just love his songs and his writing. He's a genius. Then person-wise, I'm a huge fan of Zendaya. I love her. I watch her interviews and everything she does all the time because I think she's just such a crazy good human being.
The increasing legal pressure against archives has created anxieties among researchers, librarians, and journalists. They cite the need to protect sources who wish to make a record for posterity; procuring documents and interviews from those sources will be difficult if the fruits are only one subpoena away from disclosure.
When you do interviews, you have to talk about yourself - and I like to find out about other people. I am so familiar with everything that I do. I've said it over and over again. I think it is boring.
I think kids relate to me because I have some ability to remain a little bit naive. Even during interviews. Mostly during interviews.
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