A Quote by Jason Scott Lee

'Rapa Nui' is about the conflict in the 1600s on Easter Island. It's about the clash of the royal clan and the working class. — © Jason Scott Lee
'Rapa Nui' is about the conflict in the 1600s on Easter Island. It's about the clash of the royal clan and the working class.
I am very attracted by the mysterious landscape of Easter Island. Not only because it is a piece of land that is further away from another, but also because of the beautiful statues of Moai that are there. To do a beautiful walk there, I would have to involve the Moai, and the Rapa Nui people who live on the island.
There is quite a lot of mutual misunderstanding between the upper middle class and the working class. Reviewing what's been said about the white working class and the Democrats, I realized that there's even a lot of disagreement about who the working class IS.
When I talk about 'working class,' I don't talk about 'white working class,'. I talk about 'working class,' and a third of working class people are people of color. If you are black, white, brown, gay, straight, you want a good job. There is no more unifying theme than that.
I have so much respect for the Queen and for Charles, and what the family represents. And yet there's still a conflict about whether we can abolish the class system while also having a Royal family.
Well, first of all I think that we have to be careful with terms like the working class, obviously. When [Karl] Marx wrote about the working class he was writing about something much more bounded than we're talking about.
New Rule: Someone must x-ray my stomach to see if the Peeps I ate on Easter are still in there, intact and completely undigested. And I'm not talking about this past Easter. I'm talking about the last time I celebrated Easter, in 1962.
There is a lot more opportunity now, and I welcome all the conversations we are having about diversity, about women and about class... I come from a very working-class background, and I think the class thing is still probably more tricky.
We need to think about how we teach working-class children about not just hard skills, like reading and mathematics, but also soft skills, like conflict resolution and financial management.
Like Christmas, Easter has lost much of its religious meaning in popular culture. Ask your average kid what the holiday is about and they will tell you all about the Easter Bunny, eggs hunts and baskets full of candy.
The really successful work in England tends to be working-class writers telling working-class stories. The film industry has been slow to wake up to that, for a variety of reasons. It still shocks me how few films are written or made in England about working-class life, given that those are the people who go to movies.
When I'm talking about the white working class, here's what I'm defining: high school degree, no more, and working in a blue-collar job or a low-skilled service job. When I'm talking about the white, upper-middle class, I'm talking about people who work in the professions or managerial jobs and have at least a college degree.
When I was a young teenager, it was all about The Clash for me and that sort of English punk stuff. Then the Clash led me to all these other kinds of music: classic rock, Stevie Wonder, world music, and Brazilian music. I got serious about jazz when I was probably about 14 or 15.
Look, there is a sort of old view about class which is a very simplistic view that we have got the working class, the middle class and the upper class, I think it is more complicated than that.
My favorite band of all time is The Clash. The thing I love about The Clash is they started out as guys who could barely play three chords. They dabbled in reggae, punk, rap, jazz. They came to a sound that could only be defined as The Clash. It was impossible to say what it was. I admire them for that.
I was always made aware of inequality in society, that there was a class system. In Somalia, we have clan structures. My mother's family is ethnically not Somali, and so we spoke often about what it meant to be 'other' in that way.
I may, and I think I represent a tradition that means a lot to me, which has really always been about fighting for others, for middle-class families, for working class - for working people, you know, and that's a tradition and a commitment that I take very seriously.
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