A Quote by Jason Sehorn
I just think some people don't like me. They don't like what I do or what I stand for or who I am. I catch criticism for doing things off the field and for getting the attention I get for playing in New York.
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I am so extremely busy with what I am doing myself. When I am not playing music, I am usually doing other things. Playing around with my Ferraris and playing tennis and things like that. What I understand, there is a new group of kids that are very serious about playing, which is great; I think that is a good thing.
I don't really focus on these things - on what tags are given to me or what people think of me off the field - stuff like that. My main focus is always to do well on the field for the Indian cricket team. When people say good things about me off the field, I am more than happy to accept them.
After a while, you just want transportation, and things like cool cars or motorcycles are all about getting attention. I get all the attention I could ever need, so I kind of like being in a minivan and people not paying so much attention to me.
I think it's important to do things you enjoy off the field because, if you just focus on baseball, you can go crazy. It's such a tough game with a lot of failure, so for me to do things like this, it's fun. When you're playing, especially in Chicago, you're in front of the camera a lot anyway. I'm slowly getting used to it.
I moved to New York when I was 17 and I had no idea what I was doing. I really thought I was going to take that city by storm and it taught me a lot; it was like the school of life. For me, it was like a series of really hilarious experiences in New York with getting jobs and getting fired.
So for me, fashion was about standing out as an individual - and it helped me get the attention that most people try to get with publicity stunts or by doing other crazy things. But I just let the attention come to me naturally, and I think some of that has to do with my fashion.
That's something you can't get off the wires in New York is people providing intelligent coverage of what your theater company in Podunk is up to. Many of the people who write what we call amateur criticism are professionals in anything other than name and receiving a paycheck. Very often, they know more than the professional critic who might be writing for their local newspaper. So, really, I'm all for it. It's changing the playing field, it's shaking things up, it's going to make the critical environment a healthier environment.
In New York, I'm playing in a church, solo, doing instrumental stuff. There's talk of doing more, like, installation-type things with some of the specimen horns I've played through. Just filling a room in a museum with these horn-speaker sculptures and then making loops that run all day, and you walk around the room and sort of mix the sound by where you stand. That's all way in the future, but that kind of stuff is a different way of thinking about performing.
In New York, we get down. In L.A., everybody's pretty much standing around like they're at a keg stand. You got to get the party started, so I just take my shirt off.
I think I am strong on the field, I am versatile, I can play in several midfield positions. Some coaches like that, it grabs their attention, it is a big deal for me.
For me, the biggest champions out there are not just on the field, but also off the field. Some of the biggest champions around the world, the David Beckhams, the Lebron Jameses, they all hold themselves so well off the field, and do so many great things for the community and socially. So I think it's not just about how you perform on the field, but how you hold yourself off it.
I don't like to travel. I go out. When you do stand up, you travel a lot. Just working out. I don't really enjoy it. I like New York. There's nothing really like New York. Everything just becomes a worse version of New York.
It's a simple and an effective way of getting everyone on the same page, prepared and paying attention to the gag. People just get into that frame of mind of you doing impressions. It can take a minute or two for an audience to catch on when you aren't doing one.
What's interesting to me is that in terms of people who I feel are getting what my game is about - and here I'm not even talking about what the elements of the story mean, like, whatever symbolism and metaphors and things are in there. But even the structure of the game, like, there's a fundamental structure and reasons in the way things are laid out, and parts of the game that are meant to draw people's attention to certain things, regardless of what's contained in that structure. And what's interesting to me is that some people get that, and some people don't.
I don't have ADD, but I only like to pay attention to the things I like to pay attention to, and things like getting a TV and getting the cable working are beyond me, and so I let such things lapse, sometimes for years. This applies to keeping my apartment clean.
I've made so many films in New York. There was an assumption I think a lot of people had that I am a New Yorker, that I am from New York, and I always felt like nothing could be further from the truth.
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