A Quote by Jason Statham

Usually I'm trying to work with people that I've worked with before, so we have a certain amount of know-how and what we're going to do together. — © Jason Statham
Usually I'm trying to work with people that I've worked with before, so we have a certain amount of know-how and what we're going to do together.
I've spent about that amount of time trying to tell the public that there was purpose in... my business, my career and the roller coaster ride... how the people I associated with worked together.
My husband and I oddly have worked together a couple of times. We did a 'Veronica Mars' episode together. We didn't work together, but we were both in 'Ghost World.' We had a theater company in L.A., for a bunch of years. So, we've worked together a fair amount, and it's always just great fun.
I think no matter what you do, a certain amount of people are going to call you a sellout, somehow, you know. If I ever start trying to make a living on it.
Of course it's always easy when you work with people that worked together, or you work with people that you worked with before, because you develop over years some sort of shorthand of communion that is always very valuable.
One is constantly trying to figure out what came together in one's childhood. Lots of people spend significant portions of their lives in therapy - especially in the States - trying to work out who they are. I'm certain there is a little of that in the business of writing. That would explain why certain images and themes recur.
People never know each other until they have eaten a certain amount of salt together.
When you do controversial work, you're going to upset a certain amount of people.
I feel 'proud' whenever I feel that I've worked on something for a certain amount of time with a certain amount of attention. I'm not sure if I think in terms of 'pride' though.
I get inspired by creativity, when people are together. You know what I mean, there's a certain synergy when people work together.
A film has a beginning, middle, and an end. There is a certain amount of time that you have to embody these people. You know the entire story arch. But on TV, you have to let your guard down. You don't know how long the show is going to last. There is this excitement that comes with developing a character long-term.
I hate to say it because I think people are risk averse these days more than ever. Before they even pick up the phone, they know what the picture's going to be. So there's a certain comfort in that, a certain security that they can lay out the cover of the magazine and kind of know what it's going to be.
I'm not a trained actor, so there was always going to be a certain amount of bringing my own... I was going to say skills but they're not really skills, it's just stuff that I know how to do I suppose.
When I started out, at 19, I was told, by the media and the film industry to do a certain kind of films and work with certain kind of stars. Coming from a non-filmi background, I did not know how to go about it, as there were different people trying to push me in various directions.
There was a time when the FCC tried to require a certain amount of television and media to be educational, a certain amount to be newsworthy and a certain amount of it to be public access.
A beautiful deleveraging balances the three options. In other words, there is a certain amount of austerity, there is a certain amount of debt restructuring, and there is a certain amount of printing of money. When done in the right mix, it isn't dramatic.
The direction Eun Gi is trying to go, I don't know. How you're going to go that way. What you're trying to do going that way. I don't know. With what thoughts... With what mind she is taking that way... Even if I ask, Eun Gi won't answer. The only thing I know, is that, I, next to Eun Gi who is going that way, it could be that I can't go that way with her together.
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