A Quote by Jason Statham
The movie style of fighting is completely exaggerated with over-the-top movements. You'd get completely hammered if you fought like that in a real fight situation.
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There is a misperception, if you will, in critical response or even in Hollywood, that I can only do exaggerated characters. Or what they would call over-the-top performances. Well, this is completely false.
[Ruslan Provodnikov] s a fantastic fighter but in terms of his style and Manny's [ Pacquiao] they are completely different and the preparations for each are completely different but that is no different for me because I am always fighting guys with different styles.
I don't like when I watch a fight in a movie that's perfectly worded and very articulate. If you were able to be that composed, you wouldn't be fighting! Fighting in real life is sloppy.
You could imagine something like a completely automated system for renting bikes that's just done completely over blockchain crypto-payments. And theoretically just sort of start it up, and it works completely autonomously.
I actually didn't even think about "Josie and the Pussycats" . I was like, "Oh yeah we kind of took some shots at MTV," but I think everyone had a good sense of humor about it. People either got that movie completely, or completely missed it and dumped all over it.
Acting is always sort of the same - like you want to be - you know you're pretending and you want to make it as real as you can. That's the similarity. The mediums other than that are completely different. I mean you know with camera work you're doing really small detailed work and you know if you do anything too big you've sort of failed. And with stage, especially with the play I'm doing right now, I'm doing a farce, and it's so over the top that you can't actually be too big. So it's just completely different.
I am not fighting a hopeless fight. People who have fought in real fights don't, as a rule.
With Eclipse, I felt like I was doing a completely different movie and a completely different character. So, yeah, it was nice and challenging.
I believe we have two ideas about how movies are made in our heads. Idealizations. Platonic ideals. One of them is of a movie that is completely uncontrolled, and another is a movie that is completely controlled. The auteur theory vs. cinéma vérité.
I don't know, I'm still a little bit like, when you blend CGI well with real life, it's impressive, but if you remove real life completely, I still get pulled out of the movie a bit.
I'm always looking for what's something that Bradley Whitford's character can say that is completely outrageous and completely wrong, but in a double-reverse way is actually totally right. I don't really like where there's a story and you lay a few jokes on top of it.
3D really altered the way I shot the movie completely, and it was exciting because, after 20 years of filmmaking, I felt like I was making my first movie, all over again.
You have to fight because you can't count on anyone else fighting for you. And you have to fight for people who can't fight for themselves. To get anything of real value, you have to fight for it.
When I meet a girl, I just sort of do really over-exaggerated terrible dance moves... a lot of hip movements. I get them laughing, and get them to feel pity for me, and then they like me!
I figure no matter what interview I do, the real good 'journalists' are going to find the completely irrelevant quotes that will drum up some controversy and stick it on their page to get some clicks and completely miss the real context of what the interview is about. That's what we do nowadays and call it 'journalism.'
The first time I re-discovered the joy of watching an action movie was when I saw 'Die Hard.' It was a completely simple plot - a guy goes to meet his wife, and the building gets taken over by terrorists - but I was completely blown away. Great characters, and it moved along really fast.
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