A Quote by Jason Statham

I really enjoyed working with Guy Ritchie. One, it gave me a career, and two, they're probably a couple of the best films I've ever done. — © Jason Statham
I really enjoyed working with Guy Ritchie. One, it gave me a career, and two, they're probably a couple of the best films I've ever done.
For 'Vicky Cristina Barcelona,' for example, Woody Allen is one of the greatest American directors, and we really had a very good working relationship. We understand each other really well. He gave me one of the best opportunities somebody has ever given me in my career.
I've enjoyed the time I've had working on films. I've enjoyed television movie-of-the-week format. I've enjoyed the few comedies that I've done, and I've enjoyed one-hour television.
I have two children. I gave up a lot for my career, but I'm very happy for it. I've done what I've always thought was best for me and my family.
At the beginning of my career, it was really difficult for my family to understand what I was working on, but they supported me anyway and gave me the best advice, which was to always be myself.
I am delighted to be working with Guy Ritchie on 'King Arthur,' who's been a boyhood hero of mine ever since 'Lock, Stock' and 'Snatch.'
I once asked the most fabulous couple I know, Madonna and Guy Ritchie, how they kept things fresh despite having been married for almost seven months. 'It's a job, Al,' Guy told me. 'We work at it every day.'
I enjoyed working with all my directors. I may have done more films with certain directors, but it doesn't mean I enjoyed working more with them and less with others.
My mother gave me this book called Feature Films at Used Car Prices by a guy named Rick Schmidt. I gotta credit the guy, cuz he gave me the most practical advice. It empowers you.
I really enjoyed working on a building site. I also worked for a couple of months in a mobile phone repair shop. That just wasn't me.
Some of my best experiences are with writer/directors. Guy Ritchie is one. I feel they have a clearer view of what they want to do. They haven't got to try and interpret someone's writing; it's all theirs. I really admire that.
There was a time when I composed for 30 films in a year. In such a short-spanned career, I have done 100 films and 500 songs. I am used to working hard.
I really enjoyed working with Daniel [Craig], because he's a brilliant actor at the top of his game. That gave me an opportunity to learn from the best, which is what you're always looking for as a performer in order to grow and get better at your craft. It was also great because he was so nice and incredibly supportive, because it really was an intimidating experience for me. He sort of held my hand and said, "We're in this together and we'll get through it together." And he did look after me.
Earlier, I did sing for 'Kaante' and a couple of other films but I had never done rap before. Marathi rap is something new and I enjoyed it.
I really think that studying theater early on really helped me to be able to identify how to get into a character, because it's such a mysterious thing. Learning objective acting in the beginning of my career was the best thing I could have ever done.
The fact that I have done films down South didn't boost or hamper my chances here. In fact, I was still shooting for both my Telugu films when I met Ashu sir for 'Mohenjo Daro.' During the audition, he gave me five scenes with lengthy dialogues. Once I cleared them, he gave me a song to dance to. So, my Bollywood entry was no cakewalk.
This guy Simon Helberg, who's in 'Florence Foster Jenkins,' I might have been vaguely patronizing to him because he hadn't done films before. Gradually, you realize, not only is the guy a much bigger star than me, he's maybe the richest man I've ever met.
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