To be one of the special ones, you've got to want to take that shot-you've also got to be willing to fail, learn from it, come back and take that shot again.
I flew in combat in Vietnam. I got shot at, I shot back, I got shot down. Compared to this flight, I felt a lot safer in combat.
When I got shot I wasn't like 'yes' I got shot, now I can say that in my raps, when I got shot I said 'ouch'.
The time to hurry is in between shots. It's not over the shot. It's timing how people walk. You have to add that to the equation. If you've got somebody walking slow and they get up to the shot and take their 20 seconds, what's the aggregate time for them to hit that shot in between shots? That's what really matters. It's not the shot at hand.
I have got to stay aggressive. When I have a shot, I have to take that shot.
He's a great shot-blocker. So once you go in there, you've got to either get into his body and get an and-one, or you've got to drive and kick. It's not all about trying to force the shot over a shot-blocker like Nerlens Noel. You've got to kick it.
It's been a part of my game for life. It's tougher to finish in the lane so you've got to find different areas to score efficiently and the mid-range contested shot is a shot a lot of teams will live with. And it's a shot I'm willing to live with as well just because I've gotten so many shots at it and I'm comfortable with it.
We've got to take back the ideal of justice, we've got to take back this principle of human dignity. We've got to take it back from vengeance, from hatred, we've got to say: look, we're all in this together. We are human beings.
It comes to the point where, if a midrange shot is there, I'm going to take it. If I'm open, I have to shoot that shot. That's a great shot for the team and myself.
Who shot you?" For a moment he looked annoyed. "I fail to see what that's got to do with anything. Reading assures me that anyone who's ever met me would have reason to shoot me, so I must admit with all candor that I have no idea. Was it you?" "If I'd shot you I wouldn't have missed," she said. "Was that wishful thinking or are you in fact a practiced shot?" "Desire would have made up for lack of expertise.
My mom got shot. My dad got shot. Some of the craziest stuff. All that happened to me.
I've got a scar on my shin from when I got shot in New York when I was 17. I was outside a McDonald's and somebody shot a gun from a car, and the bullet grazed my leg.
'Blacks were too scared to do anything, but they came out to greet James Meredith': That would have been the story in the evening news if I hadn't gotten myself shot. I got shot, and that allowed the movement protest thing to take over then and do their thing.
I'm the kind of person who if I was playing the role of someone who got shot, I'd probably want to get shot so I knew what it felt like.
It was a play of opportunity. It's certainly something that he can do. He has the wherewithal to do that. It's a concern when we are backed into our own endzone. The reality is I want him to take that advantage. It's like leaving a net untended and you're supposed to pass, but damn you got to take a shot. Certainly represented what we wanted to happen.
When it's a good shot, open, in rhythm with our offense you've got to take it. If it's open you've got to have confidence to shoot it and knock it down.
You have got to goad yourself toward a becoming that is in accordance with what you are innate. You have got to sometimes become the medicine you want to take. You have got to, you have absolutely got to put your face into the gash and sniff, and lick. You have got to learn to get sick. You have got to reestablish the integrity of your emotions so that their violence can become a health and so that you can keep on becoming. There is no sacrifice. You have got to want to live. You have got to force yourself to want to.