A Quote by Jason Whitlock
With the pervasive popularity of rap music and a black man sitting in the White House, there's no reason to pretend the NBA has been handicapped by the blackness of basketball.
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The Honorable Elijah Muhammad says that the black man in America, for the past 400 years, has been like a boy in the white man's house, begging the white man for a job, for food, clothing and shelter. And then after the white man provides him with all of these things, he turns around and get - has the nerve to get angry at the white man when the white man tries to control his life.
I feel like when it comes to rap - like, real rap music - and knowing the pioneers of rap, I feel like there's no competition for me in the NBA. Other guys can rap, but they're not as invested or as deep into actual music as I am and always have been. I think that might be what the difference is. I'm more wanting to be an artist.
I've never seen a sincere white man, not when it comes to helping black people. Usually things like this are done by white people to benefit themselves. The white man's primary interest is not to elevate the thinking of black people, or to waken black people, or white people either. The white man is interested in the black man only to the extent that the black man is of use to him. The white man's interest is to make money, to exploit.
Blackness is a state of mind and I identify with the black community. Mainly, because I realized, early on, when I walk into a room, people see a black woman, they don't see a white women. So out of that reason alone, I identify more with the black community.
What I preserved in the figures [at Invisible Man] are those white eyes and white teeth, because that's still connected to the way in which blackness, in the extreme, has been stigmatized and the way it was often joked that you couldn't see black people in the dark until they had their eyes open or were smiling.
Whoever is sitting in the White House, especially in their second term, when gas goes up to $3 a gallon, and Katrina, and whenever we're at war, that person sitting in the White House gets the brunt of the accusations.
Even though it's called Music Of Black Origin, it's not just music for black people. Music is for everybody. I think it's good that black music is acknowledged, and it's open for lots of artists, including white artists who have been inspired by black musical heritage.
What matters most is not who is sitting in the White House, but "who is sitting in" - and who is marching outside the White House, pushing for change.
Blackness is a state of mind, and I identify with the black community. Mainly, because I realized, early on, when I walk into a room, people see a black woman, they don't see a white woman. So out of that reason alone, I identify more with the black community.
As long as Negro leader is making the white man think that our people are satisfied to sit in his house and wait for him to correct these conditions, he is - he is misrepresenting the thinking of the black masses, and he's doing the white man a disservice because he's making the white man be more complacent than he would be if he knew the dangerous situation that is building up right inside his own house.
Blackness has always been stigmatised, even amongst black people who flee from the density of that blackness. Some black people recoil from black people who are that dark because it has always been stigmatised.
The black man in North America was sickest of all politically. He let the white man divide him into such foolishness as considering himself a black 'Democrat,' a black 'Republican,' a black 'Conservative,' or a black 'Liberal' ...when a ten-million black vote bloc could be the deciding balance of power in American politics, because the white man's vote is almost always evenly divided.
Until the image of the black man in the mind of the black man has been changed, there will always be delinquency, parental and juvenile. The idea is not to change the attitude of the white man to the black man but to change the attitude of the black man to himself.
I never tried to emulate that New York rap style. What I do is a quasi rap. It's a honky rap, not a black rap. I find it puzzling that so many people have assumed I'm black.
I can't turn around without hearing about some 'civil rights advance's White people seem to think the black man ought to be shouting 'hallelujah's Four hundred years the white man has had his foot-long knife in the black man's back — and now the white man starts to wiggle the knife out, maybe six inches! The black man's supposed to be grateful? Why, if the white man jerked the knife out, it's still going to leave a scar!
After all the black man has been through in this world, he can still often reach levels of spirituality the most pampered white man cannot touch. Maybe what he's been through is the reason why.
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