Plot-wise, there's nothing particularly groundbreaking about 'Scalped.' It starts off as something we've seen plenty of times before: the story of an undercover FBI agent infiltrating a criminal organization and the story of the guy at the head of that organization. The twist was always the setting: a modern-day Native American reservation.
It is not for us to give an assessment to what happened, but in our opinion the reputation of British science, the reputation of the British government, and the reputation of the title 'Sir' has sustained heavy damage.
How could one sentence uttered in anger cause so much damage? But then words were the most powerful thing in the universe. Cuts and bruises always healed, but words spoken in anger were most often permanent. They didn’t damage the body, they destroyed the spirit. (Acheron)
Words are really powerful. I don't believe that axiom at all - words can absolutely hurt you. Words can wound. They can do a lot of damage. I think they can do way more damage than sticks and stones. I'll take sticks and stones.
I put a lot of stock in the written word, and the power of it. That's what I love about acting and reading scripts. Words are really powerful. I don't believe that axiom at all - words can absolutely hurt you. Words can wound. They can do a lot of damage. I think they can do way more damage than sticks and stones. I'll take sticks and stones.
The hardest part is writing a song as a story. A song is so short and there are only so many words that every line has to hit. The words have to flow. You can't say certain words that sound weird next to each other, you can't repeat words too much.
The fact of the matter is, particularly when covering a campaign, which is a very high-speed story, it's incredibly unusual for the reporter to be in the same place as the dateline when the story is filed.
If it gets to a situation where it turns into a debate, look, the person that I'm debating is the person that is writing the story or presenting the broadcast. They're not going to write the story in such a way that shows they lost.
On the one hand I'm writing about somebody about whom I say in the book, "The only thing worse than being a statistic is being a statistical anomaly." So I'm writing about a particularly unlucky person. So that's a special type of hell, to be particularly unlucky.
I discovered ... that a novel has nothing to do with words in the first instance. Writing a novel is a cosmological matter, like the story told by Genesis (we all have to choose our role models, as Woody Allen puts it).
From her dubious tone alone, I could see how Karin had no idea how terrifying words spoken quietly could be. How words chosen precisely to wreak maximum damage ticked like a bomb in your head, but exploded in your heart hours later, leaving you scarred and changed.
If you write a story based on a real person, you're trapped by the details of the real person and his life. It gets in the way of writing your own story.
No matter what you write, it's a matter of putting words in a certain order so that the reader will be interested in what you're writing.
I love writing. I never feel really comfortable unless I am either actually writing or have a story going. I could not stop writing.
To me, writing is fun. It doesn't matter what you're writing, as long as you can tell a story.
It was a joy! Words weren't dull, words were things that could make your mind hum. If you read them and let yourself feel the magic, you could live without pain, with hope, no matter what happened to you.