A Quote by Jason Whitlock

As someone who has an affinity and passion for discussing racial and cultural issues, I made it a point to only discuss those issues when they really mattered and not turn the shows into Malcolm X Unplugged.
These were always obsessions of mine, even as a very young child. These were things that interested me as the years went on. My friends were more preoccupied with social issues - issues such as abortion, racial discrimination, and Communism - and those issues just never caught my interest. Of course they mattered to me as a citizen to some degree...but they never really caught my attention artistically.
Most poor people in America are white. The family breakdown issue is an issue that crosses all sorts of racial lines. High school dropout issues. But because of the flow of events which involve the racial component, we've sometimes confused racial issues with other issues which are trans-racial.
Our country has had a painful, racial history, and there are many issues that bear discussing.
Discussing external migration issues is impossible without discussing internal migration issues
I like Mitch Daniels on the fiscal conservative issues. You disagree with him on this idea that social issues, you takeoff the table. I do that for two reasons. I think the fiscal issues in a sense are a symptom of a lot of the deeper cultural issues in America. I don't think they are as disconnected as he thinks.
So when we're really addressing issues like poverty, you can't do that without addressing the real driver of some of those, which is stable homes, families. So that's why to me those issues are important. They're not frivolous. They're critical economic issues.
Though race-related issues continue to occupy a significant portion of our political discussion, and though there remain many unresolved racial issues in this nation, we, average Americans, simply do not talk enough with each other about things racial.
The lack of racial diversity and gender diversity and the lack of female directors - those are not fashionable issues. And they're not issues that reside solely within the film industry.
We question these issues of race and struggle and white privilege because we know that those issues are real and because those issues have real implications in black communities. And white supremacy is not only dangerous, but it is deadly.
The cultural issues, I think, at Wells Fargo went very, very deep. They have to unwind these cultural issues.
When you think about the progress and the progressive issues we are tackling and solving in Miramar, I'm looking to take these issues nationally because the American people need someone who can champion these issues for them.
There are so many shows that are 'white,' and we wanted to talk about how two really delusional, cliche white girls handle racial issues.
The goal is to keep the dialogue open. There are issues in the USA that a lot of people feel strongly about. The goal is just to fix those issues. To make progress on those issues.
I think that if it is - has to do with global warming, or if it has to do with raising the minimum wage, or if it has to do with lowering prescription drugs for vulnerable citizens - all of those things are people issues, not Democratic issues or Republican issues.
There's no point going to a country which is torturing people to ask them to stop if they can point out that the United States is doing it too. It enormously weakens the argument. Back in the early days of the Bush administration, PEN made a decision that we would try and make human rights issues and civil rights issues in this country part of the priority, and not just international issues, which had more or less been the priority up until then.
I think we all suffer from guilt at some point in our lives, but for the most part I never really regret, and I try to always remain positive. Yes, I think that those issues are very interesting to play in a character, and they're prominent issues in life, and I think people can relate to them.
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