A Quote by Jason Winston George

I wanted to be the Six Million Dollar Man as a child. I learned how to raise each eyebrow independently, just like Lee Majors. — © Jason Winston George
I wanted to be the Six Million Dollar Man as a child. I learned how to raise each eyebrow independently, just like Lee Majors.
The Six Million Dollar Man was one thing, but I wanted to keep my own parts.
Zuzana arched an eyebrow. She was a master of the eyebrow arch, and Karou envied her for it. Her own eyebrows did not function independently of each other, which handicapped her expressions of suspicion and disdain.
Lee was too cool by nature to rage at fate; his manner was to raise an eyebrow and greet it laconically.
The Irish Six Million Dollar man only cost three quid.
Our reward for Starsky and Hutch was getting to write The Six Million Dollar Man for Todd.
I'm a huge fan of 'The Six Million Dollar Man' and I love the episodes where they would cross over with 'The Bionic Woman.'
You can have a million dollar, 20 million dollar budget or 60 million dollar budget, and if you don't have a good script, it doesn't mean a thing.
I just want to learn as much as I can, and that comes from the people I surround myself with. So whether that is on a one-million-dollar movie, or 100-million-dollar movie, it doesn't really matter.
Dad's like the Six Million Dollar Man - as soon as he feels a twinge, he wants it fixed. He's even had laser surgery on his eyes. What really annoys me is that I have to put glasses on to read something to him - but he reads it without glasses.
Under the Barack Obama rules, if you wanted to help the military, if you wanted a pay raise for the soldiers, if you wanted to buy new airplanes and new ships and more munitions, a dollar for that, you had to have a dollar domestic spending. We just broke that parity. That's the biggest victory we could have had: $25 billion year over year for our military, to begin to rebuild our military, without that kind of corresponding increase in domestic discretionary spending.
A raised eyebrow, an inflection of the voice, a caustic remark dropped in the middle of a broadcast can raise doubts in a million minds about the veracity of a public official or the wisdom of a governmental policy.
I didn't become a good writer until I learned how to rewrite. And I don't just mean fixing spelling and adding a comma. I rewrite each of my books five or six times, and each time I change huge portions of the story.
Making a film is like raising a child. You cannot raise a child to be liked by everyone. You raise a child to excel, and you teach the child to be true to his own nature. There will be people who'll dislike your child because he or she is who they are, and there will be people who'll love your child immensely for the very same reason.
... I'm the fortieth-ugliest man in this bar. But so what! So what! What if someday she lets me kiss each one of her freckles again? She has like a million. But every one of them means something to me. Isn't this how people used to fall in love? I know we're living in Rubenstein's America, like you keep saying. But doesn't that just make us even more responsible for each other's fates? I mean, what if Eunice and I just said no to all this. To this bar. To this FACing. The two of us. What if we just went home and read books to each other?
A dollar might turn to a million and we all rich that's just how i feel
I tried to do things independently with each child.
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