A Quote by Jason Witten

My career has been defined, in a good way, on the option route. And a lot of times, it's a bang-bang play. It's a great play because it can convert first downs. But at the same time, you don't get a lot of those opportunities in the open field.
Doing 'Comedy Bang! Bang!,' you have to play at the top of your abilities, so it is so fun to get that opportunity. I've grown a lot as a performer just working with those guys.
Bang! Bang! Bang! Sorry Mr. Yipes, sir, she won't budge!' Put your back into it, man, give it all you've got!' Bang! Bang! Bang!
In television, the cuts are so quick: bang-bang-bang-bang-bang! I want to shoot two people and sit there for eight minutes and watch them. I've got a lot to learn about television and about the best ways to tell stories directorially in that medium.
That's what's so great, I get to play any character in the world. And I think that's one of the things that makes doing 'Comedy Bang Bang' or other improv podcasts so fun, as well as my own, is that you can really explore a character deeply for a long period of time that is nothing like yourself.
In Liverpool we'd only done one-hour sessions. In Hamburg we had to play for eight hours. We played very loud, bang, bang, all the time. The Germans loved it.
Hooray!" said the Chief of the Army. "Let's blow everyone up! Bang-bang! Bang-bang!
When I go in to 'Comedy Bang Bang,' I'll go in most of the time with some beats of where we're going with the idea. Everything else is improvised. Nothing is scripted. A lot of times I'll go in there with nothing and it's just conversation with the character.
First of all, the Big Bang wasn't very big. Second of all, there was no bang. Third, Big Bang Theory doesn't tell you what banged, when it banged, how it banged. It just said it did bang. So the Big Bang theory in some sense is a total misnomer.
Bang bang bang. I understand now why so many horror movies use that device-the mysterious knock on the door-because it has the weight of a nightmare. You don't know what's out there, yet you know you'll open it. You'll think what I think: No one bad ever knocks.
I'm a rap comedian the same way Bill Cosby is a jazz comedian, Cosby's laid back. I'm like, bang, bang bang, right into it.
I got to play in a crowd, play in Wimbledon finals, be the guy on a Davis Cup team for a while. Those are opportunities not a lot of people get. As much as I was disappointed and frustrated at times, I'm not sure that I ever felt sorry for myself or begrudged anybody any of their success.
It's a lot of things that play into having a good sneaker store. That's why I never jumped into that field. If I open one, it's going to be a lot of expectations.
When we play in the Pro Tour there's no crowds in, so you can concentrate better. The others play better as well, there's players who can't play too good on TV but on the floor when it's nice and quiet they can bang them in, let me tell you.
I feel like whenever I do a movie, people think, 'Well, that's good, but that's probably the best he'll do.' I sort of bang and bang and kick in a door, and people say, 'Now a million doors will open for you.' And they don't.
When people can't abide things as they are, when they can't abide the present, they do one of two things ... either they ... either they turn to a contemplation of the past ... or they set about to ... alter the future. And when you want to change something ... YOU BANG! BANG! BANG! BANG!
I played with a lot of great players before. They're all the same. They take a lot of responsibility for their own play, put a lot of pressure on themselves to perform and to play well.
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